AROUND CAPE ANN: Love letters focus of Olson lecture | News


The work of the late Charles Olson, a 20th century American poet who made Gloucester his home, still makes ripples around the world.

In that spirit, the annual Charles Olson Lecture will take place on Saturday, Oct. 29 at 1 p.m. at the Cape Ann Museum auditorium at 27 Pleasant St., in downtown Gloucester. The talk is free to the public but reservations are required. The lecture also will be live-streamed on Facebook and Vimeo.

The featured speaker will be Sharon Thesen, a poet and scholar, who will give a talk titled “Olson & Love: The Transformative Correspondence of Charles Olson and Frances Boldereff.” Thesen will talk about working with Ralph Maud on the pair’s correspondence for which there are two editions: “A Modern Correspondence,” published by Wesleyan in 1999, and “After Completion: The Later Letters,” published in 2014.

“In this lecture, Thesen will show how Olson’s love affair with Frances Boldereff set his compass intellectually in his move toward the recovery of what could be found in the archaic as a guide or inspiration for a new poetics,” according to the museum.

Thesen, who grew up in western Canada, attended Simon Fraser University in British Columbia where she studied poetry with Robin Blaser, George Bowering, and Maud. She later began teaching English and creative writing. This lecture is presented in collaboration with the Gloucester Writers Center.

Olson, a literary giant in the post-modern realm, created a personal library of massive proportions at his home at 28 Fort Square in Gloucester. That library is now housed at the University of Connecticut, along with other Olson papers. Maud created a near duplicate of Olson’s library, which was later given to the Gloucester Writers Center. Earlier this year, the Gloucester Writers Center donated the Maud/Olson Library to the Cape Ann Museum Library & Archives. This is a collection of 4,000 volumes owned, read, or referenced by Charles Olson. The library is now housed within the Janet & William Ellery James Center at the CAM Green.

To mark this new acquisition, the museum will offer a tour of the Maud/Olson Library at the CAM Green,13 Poplar St., on Oct. 29 at 11 a.m. The library is situated next to the Vincent Ferrini Library. Attendees registered for the 1 p.m. talk are welcome to join the tour at 11 a.m. To register and for more details, visit capeannmuseum.org.

Halloween party

The Knowles Halloween Bash, open to the public, takes place Thursday, Oct. 27, from 7 to 10 p.m. at the Gloucester Elks, at 101 Atlantic Road on Gloucester’s Back Shore. Costumes encouraged for those wanting to dress up but are not required. There will be food, cash bar and live music from Tregony Bow. Tickets are $20. For details and advance tickets, go to Kenneth J. Knowles’ Facebook page. Tickets also at the door.

Musicians Unleashed

Cape Ann Symphony announces the return of its popular Musicians Unleashed Concert Series with its next performance, “American Classical Music,” on Saturday, Oct. 29, at 3 p.m. at the Unitarian Universalist Church, 10 Church St., Gloucester.

“We wanted to put together a program of great music that reflects the vast and wide diversity of peoples and cultures that have made up and continue to make up our great country of America” said Cape Ann Symphony Conductor Yoichi Udagawa.

The concert program features an array of musical styles, from Dvorak to the Grateful Dead. Selections include works by Florence Price, Cape Ann Symphony Concertmaster and violinist Scott Moore, William Grant Still, and Rachel Grimes. The concert will be performed by Cape Ann Symphony violinist Erica Pisaturo, cellist Seth MacLeod and violist Brandon White as well as Moore.

Udagawa said he is thrilled that the audiences will get a chance to hear and meet the new concertmaster.

“Scott Moore is a fabulous violinist who plays at an incredibly high level in all kinds of styles from classical music to Kentucky Bluegrass,” he said.

For more information and tickets, visit www.capeannsymphony.org.

NPR Tiny Desk Contest winner

The 2022 NPR Tiny Desk Contest winner, Alisa Amador, will perform on Friday, Oct. 28, at 7:30 p.m. as part of the Old Sloop Presents performing arts series, held at the handicap-accessible Fellowship Hall of the First Congregational Church of Rockport, 12 School St.

Amador’s music is known for its synthesis of many styles, including rock, jazz, funk and alternative folk, wrapped in the spirit of Latin music. NPR’s Cyrena Touros calls her “a pitch-perfect rendition of my wildest dreams.”

The opener will be Hayley Sabella, who was born in Massachusetts but raised in Nicaragua. She won the 2019 New England Songwriting Competition.

For tickets and information, visit oldslooppresents.org.

Classic films, live music

The Gloucester Meetinghouse Foundation presents an afternoon of classic silent movies this Sunday, Oct. 30, at 3 pm. at the Gloucester Meetinghouse at the corner of Church and Middle streets with live keyboard accompaniment by Jeff Rapsis.

This family-friendly afternoon will feature three works from the early era of cinematic history presented on a large screen with Rapsis infusing his interpretations of this lost technique. The films, with non-stop action and knee-slapping comedy routines, were selected for their wide appeal.

The films are:

“The Haunted House” (1921) with Buster Keaton. A gang of robbers, a crooked bank manager, and a bank teller converge on a booby-trapped house decorated to appear haunted in order to fool the authorities. A series of uproarious encounters between the antagonists leaves the audience wondering who the true villain really is.

“The Floorwalker” (1916) with Charlie Chaplin in his signature role as “The Tramp.” This early comedy features “gags galore” with an early version of an attempt to run down the up escalator and one character mirroring the movements of another.

“The Kid” (1921), which was written and directed by Chaplin. He plays the role of “The Tramp” who cares for a young boy whose mother left him for adoption. The three’s lives become intertwined in this heartwarming story of reconciliation.

Tickets are available online at www.gloucestermeetinghouse.org, or at the door. General seating $15; students with ID $5; children under 12 free.

Yellow Brick Road party

The Studio restaurant, at 51 Rocky Neck Ave. in Gloucester, will close out the season by presenting a Wizard of Oz-themed Halloween event on Sunday, Oct. 30, when the team will be decked out as their favorite characters. The event runs from 11:30 a.m. to midnight.

“At Smith Cove’s own Emerald City, country crooner Annie Brobst will serenade scarecrows from 6 to 9 p.m. while the bar mixes up some potent potions,” according to a press release. Some of those libations feature The Studio’s “Oz-twist” on a rum runner, or a “Brain Shot” made with peach schnapps, Bailey’s Irish Cream and grenadine.

In an added note, the restaurant team is rallying around a fund-raiser by Sal Valenti, the sous chef, whose 10-month old dog, Trager, needs an unexpected surgery on his leg estimated to cost $8,000. To help defray the costs, a baseball signed by recent Hall of Fame inductee David “Big Papi” Ortiz as well as a signed Patriots jersey by running back LeGarrette Blount will be auctioned off. Both items will be available for bidding onsite on Oct. 30. There is a fundraiser page also on Sal Valenti’s Facebook page.

Irish folk singer

Tommy Sands, an Irish troubadour and peace activist, is performing “Music of Peace and Healing” at First Church in Ipswich, at 1 Meetinghouse Green, on Saturday, Oct. 29, at 3 p.m. This is a free presentation of the House of Peace in Ipswich.

Gloucester’s Michael O’Leary, vocals, and Carol McIntyre, harp, will open the program; Pierce Woodward, fiddle, and Harry Wagg, guitar, will welcome concertgoers with a set of fiddle tunes in the foyer before the show. For more information, visit www.houseofpeaceinc.org.

Around Cape Ann is a column devoted to events happening on Cape Ann and artists from Cape Ann performing elsewhere. If you would like to submit an item, contact reporter Gail McCarthy at 978-675-2706 or gmccarthy@gloucestertimes.com at least two weeks in advance.





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One person’s drag show is another’s country music | Opinion




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Vote for environmentalists in elections!


I would like to contribute to FFF (Fridays for Future) in my own way: by sharing one concrete action per week that YOU can do, and which I have done, for combating climate change. 

FFF14: Vote for environmentalists in elections!

WHY: The Finnish local elections are beginning next week, and for some reason they often have a lower turnup than other elections in Finland, only 58,8% voted in 2017 to be exact. This is however strange, as local elections are the ones that affect your living and hometown and your immediate environment the most! And through voting for candidates and political parties who care about the environment, we can in a easy way take action and a stand for our environment.

WHAT CAN I DO: VOTE! And I would advice to vote for someone who openly values our environment. Read about different candidates and read also what the party they represent stands for. In Finland we have also many voting aid applications (“vaalikone”), in which you can fill in what you think is important, and the applications will give you suggestions on candidates who have similar responses as you. Elections are also important for preserving culture, so keep that in mind as well!  

HOW:In Finland you can either vote easily in advance 26.5-8.6 at almost any voting place or on the voting day 13.6 at your predetermined voting place. If you live abroad (like me) you can vote in advance 2-5.6.




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PHILDEL reveals “Monolith” video – Aipate


Singer-songwriter PHILDEL returned on October 7 with the music video for her latest single, “Monolith”.

This track had been released a week earlier and was billed as the second single from the artist’s forthcoming album, Into the Woods.

“Monolith” is a dark, cinematic dream pop track. The exquisite visual accompanying it complements the song’s narrative: a girl’s discovery of a sublime natural rock monolith in the forest and its strange power.

The music is immersive and the vibe totally fascinating.

Listen/watch “Monolith” and follow PHILDEL on Instagram.





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Eurovision 2021 Review: Cyprus – Elena Tsagrinou – El Diablo


Cyprus chooses a female fronted pop banger once more
Cyprus came dangerously close to winning the Eurovision Song Contest back in 2018, when Eleni Foureira finished in second place with ‘Fuego’. The year after, they tried a similar formula with another uptempo pop track performed by a female artist, Tamta’s ‘Replay’, finishing 13th. Last year they wanted to send male artist Sandro with dance infused tune ‘Running’, but he did not get another try after the contest was cancelled. This year, they try the upbeat, female fronted pop formula again with Elena Tsagrinou and the song ‘El Diablo’.

‘El Diablo’ is written by OXA, Jimmy ‘Joker’ Thornfeldt. Thomas Stengaard and Laurell Barker, who had previous Eurovision success with Switzerland’s top 5 finish in 2019. ‘El Diablo’ sounds like it was tailor made for Eurovision. There is nothing really original or unexpected about it, but at the same time it is completely irresistible. The chorus is an absolute banger with a superb hook and and explosion in the production. Admittedly, the verses aren’t nearly as strong. It is often hard to make out what she is even singing about and the lyrics you can understand aren’t particularly strong. The whole song kind of sounds like different ideas hot glued together as one tune, but the instant catchiness of that powerhouse chorus easily makes up for that if you ask me. Sure, if you want to, you can hear some similarities to some of Lady Gaga’s biggest hits, but nothing outrageous that warrants a plagiarism case.

A big pop number like ‘El Diablo’ does need a big performance on the Eurovision stage. A similar concept to the music video (that looks an awful lot like Zara Larsson’s ‘Love Me Land’) could work in the live performance too. At this stage, I am not convinced Cyprus will return to the top 10 of the scoreboard with ‘El Diablo’, as the track might be too generic and often been done before to go all the way, but a spot in the final should definitely be within reach with a decent performance in May in Rotterdam.

MORE EUROVISION REVIEWS HERE: CZECH REPUBLIC – FRANCE – ISRAEL – LITHUANIA – THE NETHERLANDS

MORE EUROVISION 2021 REVIEWS: CZECH REPUBLIC – FRANCE – ISRAEL – LITHUANIA



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A Soviet version of Martin Parr: Adam Curtis’s Russia 1985-1999 –TraumaZone reviewed


Russia 1985-1999: TraumaZone

BBC iPlayer

Storyville: The Fire Within

BBC4

Russia 1985-1999: TraumaZone – even the title makes you want to scream – is Adam Curtis’s Metal Machine Music: the one where he frightens off his fans by abandoning the trademark flourishes that made him so entertaining and instead goes all pared-down and raw and grim.

If you don’t know or remember what those trademark flourishes were, let me refer you to a cruelly funny pastiche which you can easily find on YouTube called The Loving Trap. This sends up poor Adam as a pioneer of the collage-umentary, a genre resembling ‘a drunken late-night Wikipedia binge with pretence to narrative coherence’ which ‘vomits grainy library footage onto the screen to a soundtrack of Brian Eno and Nine Inch Nails.’

True enough – but those expertly curated ambient tracks were very easy on the ear, as too was Curtis’s soothing voiceover which yoked heterogeneous concepts together and led you in all manner of beguiling and unexpected directions. I think his stuff is great and the fact that it is still being promoted by the BBC confirms how devilishly clever he is, because if the BBC had an inkling of what he’s actually saying it would drop him like a hot brick.

Anyway, TraumaZone dispenses with the frills. There’s no voiceover and no soundtrack. It’s just loads of film footage taken from across the collapsing Soviet empire in the dog days of communism. Some of it’s quirky: two men fantasising over a bottle or two about what animals they might keep in their imaginary future zoo; some of it’s sad and personal: a mother bidding farewell to her son just before he heads off for two years’ military service during which he’ll quite possibly end up being killed in Afghanistan; mainly, it’s just bleak.

But not boringly bleak – at least not so far. Perhaps its delights begin to wear thin after the full seven hours but despite the meandering nature of all this disparate footage I found each vignette strangely involving. The one, for example, of Kim Philby’s funeral. He’s lying there in his open coffin, surrounded by party apparatchiks, and his wife (the last of four) Rufina with her implausibly red hair buries her face in his. And stays there, sobbing. You keep waiting for the camera to pull away or for Curtis to cut to another scene, but instead it lingers on and on, to the point where you start having macabre thoughts like, ‘Hope the embalming is up to scratch and he doesn’t start to smell like Father Zosima.’

There’s some great material from Chernobyl, too. Volunteers having a last shared fag before scurrying off to near certain death pushing radioactive rubble into a pit. A team of scientists taping the bottoms of their homemade protective gear (which clearly isn’t going to offer the slightest protection) and then crawling through the ruins to investigate what has happened to the reactor core with the help of a camera attached to a remote-controlled tractor bought from a toy shop.

Reviewers more high minded than myself have said that as an insight into the history of the collapse of the Soviet Union it is flawed because the footage is too random, lacking focus, and the narrative (just the occasional flash of barely explanatory text on screen) too sketchy. But personally, that’s one of the things I like about it. It’s like a Soviet version of Martin Parr’s photos of the British on seaside holidays, part affectionate, part mocking, part mystifying. I find it refreshing to be allowed to make up my own mind – or indeed not to form a view at all – rather than have someone’s directorial opinion (usually with dodgy politics attached) rammed down my throat.

If you like TraumaZone I think you’ll also enjoy The Fire Within, part of BBC4’s often-excellent Storyville
strand, in which yet more reams of archive footage have been curated and shaped, this time by Werner Herzog. Like Curtis, Herzog has a tone and style which is very easily parodied. ‘Be aware, there is an essential truth and beauty in all things…’ some wag wrote in ‘Werner Herzog’s letter to his cleaning lady’, ‘from the death throes of a speared gazelle to the damaged smile of a freeway homeless.’

Yes, Herzog does like the horror of nature and he does like the morbid. So he was the natural choice to edit hundreds of hours of footage by French filmmakers Katia and Maurice Krafft who devoted their lives to travelling the world so as to get as close as possible to volcanic eruptions – until the sad, inevitable day when like Pliny the Elder at Vesuvius, they were consumed by the pyroclastic flow. I guarantee you will be transported by the mix of beauty and terror. The Kraffts did not die in vain.



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VC LIVE | 2022 Honens International Piano Competition


Tune in here on October 27-28 at 9:30PM ET for the Final Rounds

 

We’re coming to you from Calgary, Canada for the 2022 Honens International Piano Competition.

Three pianists have advanced to the Final Round, and will compete for $100,000 CAD and a comprehensive, three-year artistic and career development program valued at half-million dollars.

This year’s finalists are Rachel Breen (United States / age 26), Sasha Kasman Laude (United States / age 27), and Illia Ovcharenko (Ukraine / age 21).

The members of the 2022 Honens International Piano Competition Second Jury are Michel Béroff (France), Earl Blackburn (United States), Katherine Chi (Canada / United States), Imogen Cooper (United Kingdom), Stewart Goodyear (Canada), IckChoo Moon (Korea), and Orli Shaham (Israel / United States).

 

THURSDAY OCTOBER 27 | 9:30PM (ET)

FINALS I | 2022 HONENS INTERNATIONAL PIANO COMPETITION

CALGARY, CANADA

On the first night of Finals, the three finalists will each perform a chamber music recital that includes a Mozart concerto with The Viano String Quartet + Sam Loeck (bass) and a selection of Schubert lieder with mezzo-soprano Krisztina Szabó.

 

 

 

 

 

FRIDAY OCTOBER 28 | 9:30PM (ET)

FINALS II | 2022 HONENS INTERNATIONAL PIANO COMPETITION

CALGARY, CANADA

On the second night of Finals, each finalist performs a concerto (composed after 1791) with Calgary Philharmonic Orchestra and guest conductor Jeffrey Kahane.

 



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15th Cayamo Cruise opens booking to the public


Americana One – We’ve spent a lot of time on music-based cruises over the past decade, but the Cayamo cruise remains one of the most consistent and adventurous. They’ve just opened reservations to the general public with a line-up that includes Jeff Tweedy, the Nitty Gritty Dirt Band, Neko Case, Shovels & Rope Andrew Bird and Trampled By Turtles,

Grace Potter performs on the Cayamo cruise in 2022. (photo by Paul T. Mueller)

This year’s cruise runs from Feb. 10-17 and includes stops at St. Maarten and Tortola, BVI.

Here’s the full current list of performers.

Tags:Cayamo Jeff Tweedy trampled by turtles



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Japanese composer Nakahashi Yuki wins second prize in Geneva music competition


Japanese musician Nakahashi Yuki won second prize in the composition division at the Geneva International Music Competition on Wednesday.

The prestigious competition is viewed as a gateway to a professional career for young musicians.

The prizewinners were selected from among 97 contestants from 37 countries.

Works by Nakahashi and the two other finalists were performed by a mixed chorus.

Nakahashi’s 15-minute piece is themed on stories from the Bible. Six singers used their voices to express the sounds of waves and animals’ cries.

The performance was met with a roar of applause.

Nakahashi told NHK he is happy that his free style of composition was accepted.

The 27-year-old composer is from Toyama Prefecture in central Japan. He began writing music in high school. He currently studies at the Paris conservatory.

South Korea’s Kim Shin won the top prize.



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Photo Gallery: Sweeping Promises at Market Hotel


Sweeping Promises take the stage at Market Hotel.

Post-punk musicians Sweeping Promises gave a powerful performance to a packed crowd at Market Hotel on Friday 11/5. The band was accompanied by opening sets from experimental electronic duo Pleaser and glam-rock group Vanity. 

Sweeping Promises may have only released their debut album Hunger for a Way Out in 2020 (via Feel It Records), but they perform with the tightness and skill of a band that’s been together for years. If you missed them this time, we suggest that you catch them play live at your nearest future opportunity.

Photography by Steph Rinzler.

Pleaser:

Sweeping Promises:





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