Longtime AP country music chronicler Joe Edwards dies at 75


NASHVILLE, Tenn. — Journalist Joe Edwards, who chronicled country music and helped “Rocky Top” become a Tennessee state song during his four-decade Associated Press career, has died. He was 75.

Longtime AP colleague Randall Dickerson said Edwards’ wife called him to share the news that her husband died Friday after a lengthy illness in Nashville.

Edwards documented the ascent of country music through interviews with stars ranging from Dolly Parton to Taylor Swift. He wrote the AP’s Nashville Sound country music column from 1975 to 1992 and did commentary for The Nashville Network cable TV station in the 1980s.

When Edwards retired in 2012, Reba McEntire said in a video tribute: “I’ll never forget the first time you interviewed me at the very beginning of my career, and I’ll never forget how sweet you were always to me.”

In 1982, a story Edwards wrote about the popularity of the song “Rocky Top” led the General Assembly to declare it a state song.

“He got the ball rolling,” Boudleaux Bryant, the song’s co-writer, said at the time.

He also covered sports and a variety of other topics during his AP career, which was spent entirely in Nashville. He worked most of the jobs in the Nashville bureau, including sports editor, broadcast editor and day and night supervisor.

Edwards was among those covering the death of Elvis Presley in 1977. He also reported about or edited stories from more than 20 Country Music Association awards shows.

He was nominated for several AP writing awards in the 1970s and 1980s.

“I just show up on time and do what I’m told,” he once said.

He wrote often about the syndicated TV show “Hee Haw,” and he once appeared on camera with its cast members.

Edwards began his AP career in 1970 after graduating from Eastern Kentucky University. Prior to that, he attended Vincennes University in Indiana.

While in college, he worked for the Cincinnati Enquirer and the Crawfordsville, Indiana, Journal-Review.

Shortly after taking the job in Nashville, he periodically played basketball with Al Gore, then a reporter for The Nashville Tennessean. Gore later became vice president.

“He was a pretty good rebounder,” Edwards recalled.

Country music stars he interviewed also included Garth Brooks, Willie Nelson, Kenny Rogers, Barbara Mandrell and Loretta Lynn. For several years, Edwards voted on nominees for the Songwriters Hall of Fame.

He specialized in writing obituaries, including those for music stars Johnny Cash, Porter Wagoner, Roy Orbison, Bill Monroe and Carl Perkins.

In 2010, he wrote extensively about the Nashville flooding that left much of the city submerged for several days. But he preferred reporting about more light-hearted topics, such as the taster at the Jack Daniel’s distillery in Lynchburg, Tennessee.

Also, Edwards traditionally wrote a year-end story annually wrapping up Tennessee’s offbeat happenings of the year.

“People call and ask if I’m going to do the weird story again,” he said.

In the early 1970s, as bureau sports editor, Edwards spearheaded an effort to include girls high school basketball scores on the AP wire and to have a girls poll join the one for boys.

Reyna Roberts Says It Took Time to Find Musical Self-Confidence


Reyna Roberts is getting comfortable being herself in her music — but it took some time before she was ready to show all the different sides of her artistic identity in her songs. The singer points to her recently-released “Pretty Little Devils” as an example of a song she might have been too timid to put out a couple of years ago.

“I feel like I had to discover myself more and get comfortable enough to actually put it out,” Roberts told Taste of Country on the red carpet before the 2022 CMA Awards in November. “I’ve always wanted to make sure that people see me as more classy, more in that vein, and I still believe that the new music and new songs have class to them. But at the same time, it shows a little bit more of my wilder side. Since I’ve never had confidence, it took me a minute to get there, to express that side of me.”

That “wilder side” is about more than just risque lyrics like “This ain’t the same old hoedown throwdown / Got my pretty little devils on the pole now.” It’s also about creating genre fusion, bringing a trap beat and pulsing, rhythmic vocal delivery to Roberts’ twangy foundation.

For the singer, who grew up listening to country mainstays like the Chicks and Gretchen Wilson, it was important to establish her country bona fides, but equally important to create a diverse body of work.

“Especially when I first got to Nashville — because I love traditional country, I wanted to have songs that were traditional country,” she explains. “But the more I found my sound, working with multiple people in Nashville, my sound started to expand.”

Roberts has realized that building a country music foundation doesn’t necessarily mean always making traditional country music. She’s rubbed elbows with legends of the genre, touring with country mainstay Reba McEntire, whose career is a reminder that country artists can cross over into pop, and even TV and movie roles, without abandoning their roots.

But as much self-confidence as she’s gained from the support of legends like McEntire, Roberts says her biggest boost came from learning to believe in herself.

“Definitely getting acceptance and help from other artists gives me more confidence in myself,” she continues, “but then also realizing, like, ‘Hey, you’re a pretty bada– girl!’ Just having to remind myself [to not] feel too shy all the time, not going back to my introvert self, saying, ‘Girl, you got this! Remember who you are!’ That’s been an essential for my mental state.”

Now hard at work on her next album, Roberts hopes that that journey of self-love and self-acceptance will show up loud and clear in the new music she’s planning to release in 2023.

“A hundred percent. A thousand percent,” she says with a grin, adding that she’s no longer afraid to make her own genre rules in her music. “… Outlaw country, classy country, trap country — it’s gonna be all the things.”

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