Nicolas Alan is riding on the new wave of hip hop in his exotically exultant hit, Superstar ft. JCedric – Independent Music – New Music


One of the hottest names in the Salt Lake City hip hop scene, Nicolas Alan, just got hotter after launching another cathartically rhythmic RnB-tinged new wave hit with his latest single, Superstar, featuring JCedric, which allows you to traverse his ascent to the top of his game.

Never letting ego get in the way of relatability and sincerity, Alan has a distinct way of versing directly to you as he proves with his dynamically fluid bars that adversity doesn’t ever have to be the end of your story.

While the originality in his sound comes as a result of having an eclectic array of musical interests, the soul in his sound comes via the roadblocks he’s overcome that have enabled him to reach notable heights in his career. It should go without saying, he’s one to watch.

Superstar dropped on October 28th; catch it on Spotify.

Review by Amelia Vandergast





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Apollo Brown & Philmore Greene Team Up For ‘Cost Of Living’ Album


From Detroit to Chicago, Apollo Brown and Philmore Greene have teamed up for a new album, Cost of Living.

What are the consequences of living in this f*cked up world? Greene and Brown waste no time breaking down this question with unequivocal clarity. It’s an inquiry that looms at the core of their elegiac and existential soundtrack to modern inner city life. How can one escape the systemic traps that have ensnared generations since time immemorial? What does it mean to make the right choices? And if you emerge from the chaos to live a beautiful life, how do you overcome the survivor’s guilt and lingering trauma?

Over the course of 15 tracks, which includes “Paradise” with Evidence, Apollo provides a perfect canvas for PG to share his experience of growing up on the westside of Chicago – where he saw his first dead body in his early teens (“This Is Me”), where he lost his brother to street violence only a few years later, and where he turned to the booth as a refuge and way to share his hard-fought wisdom.

Press play and be sure to add Cost of Living wherever you get music.

Apollo Brown & Philmore Greene Team Up For ‘Cost Of Living’ Album was last modified: November 15th, 2022 by Shake





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More than 1 billion people are at risk for hearing loss. It might be time to turn the music down


Turning down the racket isn’t just for disgruntled parents — a new study has shown it could protect more than 1 billion people at risk for hearing loss.

When it comes to phones, music, movies and shows, it’s common for adolescents and young adults to listen too loud and too long, according to the study published Tuesday in the journal BMJ Global Health.

“We estimated that 0.67 to 1.35 billion individuals aged 12-34 years worldwide likely engage in unsafe listening practices,” and are therefore at risk for hearing loss, said lead study author Lauren Dillard via email. Dillard is a consultant to the World Health Organization and a postdoctoral fellow at the Medical University of South Carolina.

Exposure to sound at too high a volume can fatigue the sensory cells and structures in the ear, Dillard said. If that goes on for too long, they can become permanently damaged, resulting in hearing loss, tinnitus or both.

Researchers conducted a meta-analysis of scientific articles regarding unsafe listening practices published between 2000 and 2021 across three databases, the study said.

The unsafe practices were tracked according to use of headphones as well as attendance at entertainment venues, such as concerts, bars and clubs, according to the study.

The US Centers for Disease Control and Prevention limits safe noise levels at around 85 decibels over 40 hours a week. If you are listening for only 2½ hours over a day, that is the equivalent of about 92 decibels, the study said.

Plugged into a smartphone downloaded with MP3 audio files, listeners often choose volumes as high as 105 decibels, and venues often range from 104 to 112 decibels, the study said.

Fortunately, policies, businesses and individuals can put measures into place to encourage safe listening and protect hearing from damage over time, Dillard said.

The analysis of the study was rigorous, and the evidence is compelling that hearing loss should be a public health priority, said De Wet Swanepoel, professor of audiology at the University of Pretoria in South Africa. Swanepoel was not affiliated with the study.

“Music is a gift to be enjoyed for a lifetime,” said Swanepoel, who is also editor in chief of the International Journal of Audiology. “The message is to enjoy your music but safely.”

What to do with your device

Whether listening on your own device or at a concert, Dillard cautioned that ringing ears is a good sign that the music was too loud.

There are ways to prevent the damage before you notice the effects, however. Some devices allow people to monitor their listening levels in the device settings, she said. Some even will alert you when you’ve been listening too loud for too long.

“If your device says you are listening at unsafe levels, turn down the volume and listen to music for shorter periods of time,” Dillard said via email.

Experts cannot conclusively say which headphones are the safest for listening, Dillard said, but she did recommend using ones that reduce background noise, which may help keep the volume at lower levels since you don’t need to drown out the noise around you.

But you don’t always have control of the volume dial. If you are at a loud concert or venue, you can protect your hearing by standing further away from speakers and taking breaks away from the noise, if possible, Dillard said.

And it always helps to use some ear protection — even the foam ear plugs will do, she added.

“Hearing is the sense that connects us to the people we love,” Swanepoel said in an email. “Taking care of our hearing is key to maintaining healthy relationship(s) and general health and well-being. Primary prevention in early adults is critical to avoid earlier onset and accelerated age-related hearing loss.”

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THE SOUND OF MUSIC International Tour Launches in Singapore This Month


Broadway International Group is launching a multi-year international tour of Rodgers & Hammerstein’s THE SOUND OF MUSIC this fall. This lavish and popular production of one of the world’s most beloved musicals of all time will begin in Singapore at the Marina Bay Sands Theatre this November in partnership with Base Entertainment Asia. The tour continues with multi-week stops throughout India, Malaysia, China, Hong Kong, Taiwan and The Philippines, with other additional countries to be announced.

“It is a great privilege to bring this cherished Rodgers & Hammerstein musical to theaters across Asia and India, particularly at this time of global recovery. Our goal is to celebrate the spirit of musicals and sing ‘Do-Re-Mi’ with audiences everywhere! We are certain that Singapore is ‘a very good place to start’ to launch this highly anticipated global tour,” Simone Genatt and Marc Routh, Co-Founders and Producers of Broadway International Group said in a joint statement. Genatt and Routh have worked on many international productions of THE SOUND OF MUSIC for nearly thirty years as part of Broadway Asia Company, a production, management and distribution company focused on the Asia Pacific region, having done musicals and other live attractions and immersive entertainment in over 400 cities in the world market.

One of the most popular Broadway musicals in the international marketplace, THE SOUND OF MUSIC is celebrating its 65th birthday in 2024, having won five Tony Awards, including Best Musical, and the GRAMMY Award for Best Show Album, for its original run. It has since entertained generations of audiences in live productions across the world, as has the classic film starring Julie Andrews and Christopher Plummer, which won five Oscar Awards, including Best Picture. Adjusting for inflation, the film and the musical are ranked among the highest grossing movies and shows of all time. An Emmy-winning television special starring Carrie Underwood, produced by NBC was also watched by 18.5 million people. “Eighty years after Rodgers & Hammerstein’s partnership began, they continue to inspire new generations to ‘Climb Ev’ry Mountain,'” said Imogen Lloyd Webber, SVP at Concord Theatricals on behalf of The Rodgers & Hammerstein Organization. “We are delighted that this revival of THE SOUND OF MUSIC will entrance international audiences once more.”

This tour comes directly from three years of the North American National Tour with NETworks Presentations. According to director Jack O’Brien, “THE SOUND OF MUSIC has been in our ears for decades, as it deserves to be. But it might be time to look once more, and more closely, at this remarkable work which, I feel, begins to reveal itself as deeper, richer, and more powerful than ever. It’s no longer ‘your mother’s’ familiar musical. We are tearing off the varnish of the past from one of the great glories of our theatergoing experience and making it fresh! This is an opportunity we’ve all longed to create!”

The tour is led by Jill Christine-Wiley as Maria Rainer, Trevor Martin as Captain von Trapp, with Daniel Fullerton as Rolf, Lauren Kidwell as Mother Abbess, Joshua La Force as Rolf, Lauren O’Brien as Liesl, and Annie Sherman as Elsa. The company includes Alli Atkenson, Corey Bryant, Patrick Cogan, Julia Cohen, Sydney DeMaria, Maddie Eaton, Keaton Eckhoff, Corey Greenan, Dayne Joyner, Cassi Mikat, Marissa O’Donnell, Caitlin Ort, Sabina Petra, Robert Rice, Julia Salatti, Cassidy Sledge, and Sean Thompson. Stage Managers are Drew Cipollone and Lanie Liu and T.C. Kincer conducts an 11-piece touring orchestra.

THE SOUND OF MUSIC features music by Richard Rodgers, lyrics by Oscar Hammerstein II, book by Howard Lindsay and Russel Crouse, suggested by The Trapp Family Singers by Maria Augusta Trapp. The tour features the original creative work of three-time Tony Award® winning director Jack O’Brien, Broadway choreographer Danny Mefford, and Musical Supervision by Andy Einhorn as well as an established award-winning Broadway creative, design, and production team. Matt Lenz, Original Tour Restaging; James Gray, Original Choreography Restaging, Douglas Schmidt, set design; Jane Greenwood, costume design; Natasha Katz, lighting design; and Shannon Slaton, sound design. Casting is by Binder Casting. Eric Cornell serves as General Manager for Broadway Asia International. Simone Genatt, Marc Routh and Broadway International Group are Producing, along with Co-Producers Roy Furman, Broadway Asia Group, Cornice Productions and Gabrielle Palitz. THE SOUND OF MUSIC is presented in special arrangement with Concord Theatricals, NETworks Presentations and Broadway Asia Company. For more information, please visit www.broadwayasia.com



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ari hicks shares “Sad Ghost” video – Aipate


An artist on the rise, ari hicks‘ latest offering is a beautiful slice of dark-pop.

The song is haunting yet filled with catchy melodies. It was released with a spectral visual created by director Nicole Davis.

“Sad Ghost” is confessional and deeply vulnerable.

In her own words, ari explains, “It’s about getting a little too familiar with an emotion that you probably shouldn’t, and allowing yourself to get a little too comfortable and stuck in that place of being. There’s a vacancy in my presence in this song or almost lack thereof, meant to signify the moment I noticed that I felt whatever this was for so long, I could barely even feel it at all anymore if that makes sense. Feeling alone, secluded, tired, tired of being disappointed and let down. Eventually the easiest thing to do becomes numbing yourself from it almost entirely. ‘Sad Ghost’ is the voice I gave to that numbness.

Listen, watch “Sad Ghost” and keep up with ari hicks on Instagram.





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Windows Up: Christopher Hurst knows he is the only competition on Picture Me – Independent Music – New Music


Blowing smoke to the blues and keeping his motivated attitude, Christopher Hurst is at his gritty best as he steers us through the mentality needed to succeed on Picture Me.

Christopher Hurst is a Phoenix-based Boston-raised indie hip hop artist who keeps things as raw as possible on each of his trailblazing

Thriving with so much intent and guiding us through this cinematic-like story to reminisce with, Christopher Hurst cuts through the past and smiles into the future where all his dreams await. Pulsating throughout and forcing many chills to appear all over our naked spines, we find ourselves meshed inside a proper story stuffed with lessons for us all to learn from.

Picture Me from Phoenix-based Boston-raised indie hip hop artist Christopher Hurst is an introspective track with a heat-filled missile to rocket rather swiftly into. Dusting off the haters and showing us he will survive no matter what, this is an honest song which will strike the heart of many.

Hear this terrific new single on Spotify and check out the IG page for more.

Reviewed by Llewelyn Screen





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GloRilla Drops Major Label Debut Project, ‘Anyways, Life’s Great…’


Her major label debut project, GloRilla releases her first EP via Yo Gotti’s CMG/Interscope Records imprint Anyways, Life’s Great…

I get to take care of the people that I love, all my family and friends. I used be broke… I ain’t broke no more. And it’s by doing the thing that I love,” GloRilla said to Apple Music’s Zane Lowe ahead of the EP’s release. “I’m making money doing what I love to do. So, that’s everything. Yeah. I just stay prayed up, you know what I’m saying? Do right by everybody. I try not to let too much get… I try not to let everything just get to me so much.”

A nine-song drop, the project is led by the singles “F.N.F. (Let’s Go),” “Nut Quick,” and “Tomorrow 2.” The likes of Cardi B, Niki Pooh, and HitKidd guest throughout.

Stream Anyways, Life’s Great… below.

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GloRilla Drops Major Label Debut Project, ‘Anyways, Life’s Great…’ was last modified: November 11th, 2022 by Meka





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Harry Christophers’ Sixteen choir and orchestrar eview – music for turbulent times | Classical music


On what’s thought to have been his 18th birthday, 10 September 1677, Henry Purcell’s first appointment to the court of Charles II was as composer-in-ordinary. Going on to become organist at Westminster Abbey and to the Chapel Royal, also serving James II and William and Mary, Purcell’s prolific composing career – cut tragically short, like that of Mozart – proved to be rather extraordinary.

In the context of Charles III’s recent accession to the throne, Harry Christophers’ concert with his Sixteen choir and orchestra, programming Welcome Songs and music written for the coronation of James II, was a timely lesson about musical culture in turbulent political times.

Purcell’s vocal music is most notable for his imaginative word-setting, so it was ironic that in the Bath Abbey acoustic, even with printed texts, words were often not discernible. But the accomplished sound of the eight voices – as in the Sixteen’s acclaimed Purcell recordings – carried beautifully and was more than matched by the instrumental playing. The intricacies of harmony and contrapuntal interweaving in the many interludes and postludes were totally beguiling, notably the chaconne ending What Greater Bliss, from the 1687 song Sound the Trumpet! Beat the Drum! Z335, written to welcome James II back from a vacation.

The pastoral coronation song While Thirsis, Wrapp’d In Downy Sleep, Z437, sung by soprano Katy Hill with sweet, pure tone, was followed by the short catch-song Full Bags, a Brisk Bottle, its boozy and jovial character offering amusing contrast to the sometimes sycophantic celebratory settings. The final welcome song Why, Why Are All the Muses Mute? allowed fine individual voices to be heard in successive verses, words now emerging clearly and all the more rewarding for it.

Over the MozartFest’s week, the K numbers of the Köchel catalogue are prominent and familiar; the Z numbers assigned by Franklin Zimmerman in his cataloguing of Purcell’s works are as yet unfamiliar, but his scholarship has been invaluable. Zimmerman is 99, so it’s perhaps not a moment too soon to salute him as well.



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Jeff Bezos is giving music legend Dolly Parton $137m for her charities


NASHVILLE, Tennessee – Billionaire online retailer Jeff Bezos has named Dolly Parton the latest recipient of his Courage and Civility award, handing the music legend US$100 million (S$137 million) to direct to any charities she chooses.

“She gives with her heart. What she’s done for kids, and literacy, and so many other things, is just incredible,” Mr Bezos, 58, said in a video posted on social media.

“I’ve always said, I try to put my money where my heart is, and I think you do the same thing,” Parton said in the video. “I will do my best to do good things with this money. Thank you, Jeff.”

Parton, 76, has operated a foundation that has distributed books to children globally.

A strong advocate of vaccination, she supported Moderna’s shot through a US$1 million donation to Vanderbilt University Medical Center for coronavirus research.

Mr Bezos has previously awarded US$100 million apiece to chef Jose Andres, whose World Central Kitchen feeds people in disaster-stricken areas around the world, and Mr Van Jones, the founder of Dream.Org.

Mr Bezos, the world’s fourth-richest person with a US$123.9 billion fortune, has increased his philanthropic efforts since stepping down as Amazon.com’s chief executive officer in 2021. He is focusing most of his attention on climate change with his US$10 billion Earth Fund and also announced a US$200 million gift to the Smithsonian National Air and Space Museum.

The billionaire is also said to be interested in acquiring the NFL’s Washington Commanders, possibly with music mogul Jay-Z as an investor. BLOOMBERG



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Friday Pilots Club share new EP, I LOVE YOU, ROBOT SUPERSTAR! – Aipate


Friday Pilots Club don’t like tying themselves down to a single genre. Revelling in that alternative-inclined attitude, the 5-piece band forays in and out of different sonic territories at will. This is exemplified on their new EP titled I LOVE YOU, ROBOT SUPERSTAR!.

The project arrived on 27th October with the song “Poison or Patience” which features singer OSTON. Band member Drew Polovick says this is “a song dealing with rehashing, ruminating, and spiraling over all your mistakes and regrets. ‘Poison or Patience’ is self loathing at its finest. Through distorted vocals and self-depreciating lyrics, the song chronicles a toxic journey of self empowerment and going down all the wrong paths, and looking to either Poison or Patience to fix you.”

Listen to the whole EP via Spotify below and stay connected with Friday Pilots Club on Instagram.





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