Category: ambient music

It’s a bit daft to repeatedly compare instrumental music with an ambient bent to soundtracks for movies that have never been made. With Aural Stream, though, it’s appropriate, and inescapable. Few production outfits are able to make music so visionary, imaginative and virtually pressing up against the medium to push its creatures of the mind into the real world.

How To Disappear Completely is a live ambient collective based in Poland and their latest EP was reputedly burned live in October 2021 and April 2022 to 2 inch tape. If that’s what provides that warm, enveloping sound, I hope they have an endless supply of it. Other than the first track “Dawn Breaks Through (Iterum),” HTDC resist the urge to loop these beautiful sounds into epic scale tracks — most of these are under six minutes, one under four. As much as I love a big, sloppy opus, these work: repetition plays out but never taxes your patience. These songs slip silently into the back of your consciousness and then to the forefront again. The sound is almost painstakingly perfect — Aural Stream is likely the most well-produced ambient album I’ve heard in 2022.

HTDC’s tracks are made for looping, that’s inescapable, but feel like they’re chunks broken from one piece. Play them together, in sequence, because the leitmotivs and repeating themes are telling a story.

How To Disappear Completely: Aural Stream
1. How To Disappear Completely: Dawn Breaks Through (Iterum) (10:46)
2. How To Disappear Completely: Lux Vivens (05:14)
3. How To Disappear Completely: Memoria (07:11)
4. How To Disappear Completely: Motionless Constant (05:28)
5. How To Disappear Completely: A Hidden Moment (03:51)

Disclosure Statement: This record was not submitted as a promo.

Delhi to Derry- Together in Sound, a cross cultural collaboration between India and the UK that celebrates the fusion of contemporary and electronic music, is on its India leg at the moment. 

“As part of our India/UK Together Season of Culture, this collaboration between boxout.fm and Celtronic Festival has allowed six emerging EDM artists from India to perform live in the UK for the first time and six artists from Derry in Northern Ireland have performed in India.” said Jonathan Kennedy, Director of Arts- India, at the British Council. He added that through this platform, they aim to facilitate the development of cross-cultural practices and new artistic work between the two countries. 

Among the many performances, one such collab is between one of India’s highly-regarded women DJs, Harshita Kalee who goes by the stage moniker Kaleekarma, whose evocative sets feature music interwoven with theatrics, and Jonathan Delaney aka The Fully Automatic Model, a multidisciplinary Ireland-based artist exploring ambient soundscapes and techno beats. Here is what they had to say about their music and what the future holds. 

Tell us about your new show in India? How was the process of conceptualisation?

TFM: The show is a completely new audio-visual performance piece which is the outcome of a cross-genre / country collaboration project which started in June 2022. Sonically, it’s varied and takes influences from electronica to dub, Detroit Techno to Krautrock Ambient music to traditional aspects of both cultures. 

Kalee: There wasn’t much planning or thinking around the concept for me personally. If any, the idea was the work of team Boxout.fm and British Council. To share just the beginning of it all, I pulled out pieces that I had jammed out for fun almost two years back. I had thought of discarding these at some point but am so glad I didn’t. 

What is the story behind your stage name Kaleekarma?

Kalee: This is a story I’m still saving to share.

What kind of music did you grow up listening to and who all have influenced the kind of music you now do?

TFM: From a young age, I was obsessed with knowing how things worked (music technology-based things, especially). I used to take things apart and see how they ticked, then hack or fix them to suit my needs. I started to mess with speakers, record players and amplifiers, as I loved to make a racket. This led onto getting into the physics and magic of music and how it was created, amplified, and played to a crowd. My music history is varied but mainly influenced by early leftfield electronic pioneers such as Kraftwerk, Laurie Spiegel, Edgar Froese, AFX, Cinematic Orchestra, the list is endless. 

Kalee: I grew up listening to a lot of A R Rahman. Popular Bollywood was the only space of music we were exposed to, and I saw myself being drawn to all of his works. I do not remember listening to, or even knowing any other kind of music till I got to cities like Delhi, Pune, and Mumbai later in life.

Your music reminds me of Brian Eno, would you say he has influenced you?

TFM: I’d say I’m more influenced by the early German Krautrock pioneers that actually inspired Eno, such as Harmonia and their work with very basic equipment and tape machine loops. Especially the Musik Con Harmonia Album. 

What made you decide you wanted to make music?

TFM: Everything is a vibration. Music is no different. Music was and still is an escape for me. And it helps me understand my place within the world.

Kalee: A day of sitting down with myself on a quiet evening and realizing that there are tunes playing in my head that I want to put out on a board. That’s all it took.

How has your journey been in India so far? Has it been difficult breaking into the music scene here since there are relatively few takers for house music and indie artists here?

Kalee: I have travelled to places to play music, to do what I love to do. The journey so far has only added to my experience and growth. Every kind or form of work comes with its set of investment, dedication, and madness. I knew I was making a choice that isn’t the most conventional but I have always known that if I get my mind and heart straight on what I really want to do, I will have it work for me in time.

Dream collabs?

Kalee: Would love to work with anyone who is here to spread the joy and peace that comes with music. 

TFM: Based on musical heroes, I’d love to sit down with AFX, Boards of Canada, FourTet, or maybe Colin Benders if it was a modular synth jam. 

What is next in your music journey?

Kalee: More music, more magic! 

TFM: Next I’m heading home to play with friends for our annual synthesiser festival in Derry- Ireland, called Oscillations & Modulations. It focuses on affordable DIY synth and modular building workshops from local synth engineers, visual installations, generative art installations and workshops, live AV performances across the city, and open days at some of Derry’s world class studios. Then maybe a new album and visual show.

What do you want your listeners to experience through your music?

Kalee: Just ease yourself into feeling and enjoying the moment with music. 

TFM: I think we all get something different from music, so I’ll leave the journey up to them. I hope they get as much from it as I do though. 

Any word of advice for young aspiring musicians?

Kalee: Listen to your heart. And let your brain mindfully support and nourish that which the heart wants. 

TFM: My advice to anyone thinking about getting into the music scene would be to be true to yourself and what you aim to achieve creatively. Be open to new possibilities and give it time and space to grow. Learn as much as you can and surround yourself with creative people. Keep it PUNK!

German musician and ambient pioneer, Manuel Göttsching has died.

Göttsching was famously known as the guitarist of the 70s Krautrock band Ash Ra Tempel and later for his renowned ambient release ‘E2-E4’.

According to his official website he “passed away peacefully on December 4, 2022 surrounded by his family.”

The statement adds: “The void he leaves behind we want to fill with his music and loving memories.”

Born in 1952 in Berlin, Göttsching was raised listening to classical music including opera played on the radio by the British and Americans.

He first started to play the guitar as a teenager and at 18-years-old he joined Ash Ra Tempel after working in Berlin’s School of Electronic Music.

Krautrock was emerging in West Germany at the time and Ash Ra Tempel delve into this improvisational genre with albums such as their 1971 self-titled debut.

The band later explored the electronic scene with the 1977 album ‘New Age of Earth’.

In 1981, Göttsching was working as a solo artist and released the influential album ‘E2-E4’ which is still spoken about today and has been cited by the likes of LCD Soundsystem and Derrick May.

“When I found out E2-E4 was played in clubs, I couldn’t imagine people dancing to it,” he told previously told The Guardian.

“There’s not a strong bass drum and the rhythm is very subtle. I took ideas from dance music, but my composing goes more into the minimalist style of Steve Reich, Philip Glass. It could be played with an orchestra.”

Watch Manuel Göttsching perform ‘E2-E4’ below.

Becky Buckle is Mixmag’s Video and Editorial Assistant, follow her on Twitter

Heinali expands on this point: “After the Battle of Kyiv was over, many Kyivites noticed this strange feeling, it was as if the city was alive, breathing. We wanted to hug it, to protect every inch of it from harm. I didn’t know how to do it back then. It took time and distance to figure it out, but Kyiv Eternal is my hug.”

Heinali is composer and sound designer Oleh Shpudeiko. He has a longstanding relationship with Sine Buyuka’s Injazero Records, and has released three albums for the imprint. Over the years, as a solo artist, he’s also released multiple offerings on Paradigm Recordings, NEN and Fluttery, while his work also takes in interdisciplinary, multi-media art projects and soundtracks.

Listen to Eternal Kyiv.

I’ve never been one for pharmaceuticals to help me sleep. And, yet, I find sleep earbuds to be a soothing and natural way to lull myself to bed — especially if I need to pass out earlier than I otherwise would, or when I’m on a plane, where I always struggle to hold a sustained snooze.

Whether you’re like me or you need help to pass out when it’s bedtime, Anker dove right into the sleep earbuds space to tackle this with the Soundcore Sleep A10. I wore them consistently to find out if they truly are an effective digital sedative, and worth the asking price.

Anker includes three pairs of ear tips, from small to large, though beyond just finding the right fit, the tightest seal is arguably just as important. Three sets of wings also come in the box to help with stability and maintain that seal, so you have options in figuring out the best combination.

The Sleep A10 are as much about comfort as they are about what they actually do, and with good reason. Great features don’t mean much while sleeping if the earbuds are uncomfortable, especially given how many hours you’d have to wear them. It may seem like a no-brainer to just wear any other pair of regular wireless earbuds to do the same job, but when they get this small, sleeping on your side becomes a lot easier. The lack of cables also makes these far more diminutive and adaptable than something like the Kokoon Nightbuds, for instance, which use a primary module linking the two earbuds by cable.

While the case looks and feels like a Soundcore product, given the similarity to Anker’s other earbuds, the Sleep A10 buds are tiny by comparison. That doesn’t guarantee comfort for all ears — something I believe is almost unavoidable because of the variances in how people like to sleep — but it still improves the odds they’ll eventually be old hat to wear in bed. Anker recommends softer pillows to reduce friction and pressure with your ears, so your preferences there may also be a key factor in whether these feel good or not.

Comfortably quiet

For me, the earbuds never felt weird or intrusive while laying on a pillow. Whenever I woke up, my ears didn’t feel sore or otherwise irritated by the Sleep A10, so they passed my own personal test for comfort. It’s hard for me to be certain whether they will for you too, but I do think they have a good chance due in large part to their size.

It’s not a deep learning curve to figure out how to set them up and make them work, either. They pair to your iOS or Android device seamlessly, with the Soundcore app serving as the primary source to configure the earbuds. Things work a little differently here relative to Anker’s other earbuds, meaning there are no settings for active noise cancelation (ANC) because that feature isn’t available to begin with. No ambient mode to hear your surroundings, nor special modes for much else.

Despite that, Anker clearly chose to treat the Sleep A10 as something of a hybrid pair, given that the app presents two distinct modes aptly called Music and Sleep. The fact these earbuds even play music is a big plus compared to the Bose Sleepbuds II, which offer no avenue to listen to any audio outside of their own sleep content.

That kind of access probably is why you can tweak how music and spoken word content sound by going through the EQ and the 20+ presets available. Or create your own, much like you would with other Soundcore buds. By default, the Sleep A10 don’t get as loud as other earbuds, and for understandable reasons, as it’s not good for your hearing health to blast audio into your ears during hours of slumber. Anker tries to remedy that with the Smart Volume Control toggle whereby the earbuds will lower volume after they’ve detected you’re actually asleep.

Anker keeps things pretty simple in the app under Sleep mode, though you have to tap Music mode to make changes to what you’re actually going to listen to. For instance, the “built-in music” section takes you to a library of natural and ambient sounds, like wind, river, rain, and crickets, among others. The All section doesn’t show you everything, as the Rest and Focus sections offer different sounds, like a small fire or sounds from a park, for instance. You’ll find more under Music in the bottom menu as well.

Some of these are musical, with harmonies, whereas others are purely relevant sounds. To listen to any of them, tap on the headphone icon to sample a 10-second clip, or the plus icon to download the sound directly to the earbuds. Notably missing at launch were standard white, brown, and pink noise options, though Anker eventually added them — including gray noise — in a subsequent firmware update, so you’ve got more flexibility now if that’s what you want to hear to help you sleep.

A lot of this is a matter of preference from the outset anyway, even if you’re encouraged to try out the different choices. Anker is thinking also about times you’re awake, which explains why some sounds are there ostensibly to help you rest or stay focused on a task, presumably before you’re actually trying to sleep. If you’d rather listen to your own tunes to lull you into dreamland, the Sleep A10 and Soundcore app will oblige. It’s not hard — you only need to play content from another source, switch to Sleep mode in the app, and that’s it. That way, you can play ambient sounds or music from, say, Spotify or Apple Music, if that’s the route that works for you.

Mediocre music

These aren’t special earbuds, as far as sonic performance goes. Music will sound fine, and passive noise isolation is quite good. But I wasn’t blown away by the overall soundstage here. More bass-heavy, with slightly elevated highs and flatter mids. You’ll enjoy listening to some music with them, but I couldn’t recommend the Sleep A10 as primary earbuds for music. The music part is the ancillary feature, not the primary one, which is saying a lot for a pair of $180 buds.

Controls are limited, but you can do a couple of things. Double-tapping the left earbud switches between the two modes, whereas doing it on the right bud is for play/pause. You can rearrange the two if you prefer to play/pause on the left side, but that’s it. Anker understandably couldn’t put single tap controls onto these buds given the number of false positives likely to happen just laying down on your side with them. There is no way to skip tracks, adjust volume, or access a voice assistant under the current control scheme.

Set an alarm within the app and it will pop off at the set time, regardless of whether there’s audio playing or not. The only caveat is putting the earbuds back in the case before wearing them for the night disables it, so you need to manually go back into the app to actually activate it. For those reasons, I always set the alarm as the last thing to do after choosing the audio before bed.

An alarm in your head

The earbuds aren’t exactly graceful when it comes time to wake you up. Rather than an incremental process to help bring you out of your sleep, the buds progressively beep as a standard bedside alarm clock might. While effective enough, I found it a bit jarring, probably because I personally don’t use alarms like that to wake up every day. You might find it totally natural, which again, is why these earbuds are more subjective in how they may work for every individual.

Anker also plays up the sleep-tracking abilities in the Sleep A10, though you can only get to them if you create a Soundcore account and log in. I get the reasons why because it’s easier to keep the data accessible, especially if you’re switching phones, for instance, but it would’ve been more helpful to users for Anker to explain why this particular feature necessitates that. In any case, the in-ear tracking will look for sleep duration and quality above all else, letting you know how long you slept and how long it took for you to actually fall asleep. You can then see breakdowns for each day, week, month, or year. Under Settings, it’s a good idea to turn on “smart switch” as that enables the earbuds to sense when you’ve fallen asleep, even in cases where you haven’t switched to Sleep mode. When it thinks you’re out like a light, it stops any other audio you were playing, switches to Sleep, and plays the ambient sound you last chose. Leave the smart switch off if you prefer to listen to tunes from other sources, though you may get skewed or incomplete sleep data if you don’t go to Sleep mode first.

All of this affects battery life in a couple of ways. If the Sleep A10 aren’t fully charged to start, you run the risk of them dying while you’re passed out, creating a whole other potential pitfall if that’s the alarm you’re relying on. Anker claims they can last up to 10 hours at 50% volume per charge, but 50% volume here is not the same as it is in standard earbuds. Raise the volume and that number goes down. Even with Music mode, six hours at 50% is the ceiling, which may not cover you for a full night’s sleep. That’s where smart switch can help mitigate battery loss but you’d have to experiment for a few nights to see how far they can go. The case can recharge the earbuds seven times before it needs more juice itself. You’ll have to plug in for that (it takes two hours to fully charge), as there is no wireless charging support.

The novelty of sleep earbuds, and the specialty they’re supposed to provide, puts them in a sub-category unto themselves right now. That’s also why they cost what they cost when options are so limited. At $180, the Soundcore Sleep A10 are as expensive as some of the best wireless earbuds available right now, like the Jabra Elite 7 Pro and Samsung Galaxy Buds 2 Pro. Whether you can sleep soundly with either of those two pairs is hard for me to say, but the point is that getting help to pass out consistently every night through your ears will cost you more right now.

Anker’s pair is a bargain relative to the $250 Bose Sleepbuds II, which neither track your sleep nor let you listen to your own tunes. I recommend looking at the Sleep A10 as serving one purpose, which is to help you sleep and provide some insight into how you slept. That they can play any other audio is a bonus.

Editors’ Recommendations

“I thought it would be so funny if I brought out two albums in one year”

Bush reflected on the circumstances around the recording of the album in an interview with The Quietus. “This has been quite an easy record to make, actually, and it’s been quite a quick process,” she revealed. “What was really nice for me was I did it straight off the back of Director’s Cut, which was a really intense record to make. When I finished it, I went straight into making this, so I was very much still in that focused space; still in that kind of studio mentality. And also, there was a sense of elation that suddenly I was working from scratch and writing songs from scratch, and the freedom that comes with that.”

Bush admitted to a sense of urgency when interviewed by pianist Jamie Cullum for BBC Radio’s The Jazz Show. “I really had to pull my finger out at certain points because otherwise it was gonna have to wait until next winter, because you can’t bring a record like this out in the summer,” she explained, adding that the speed at which she was now working had amused her: “I also thought it was really funny, because people are always going on all the time about how long I take to make my albums, and I thought it would be so funny if I brought two out in one year.”

Speaking to the Irish Independent on the release of 50 Words For Snow, Bush emphasised how important she felt it was to balance her work with family commitments, something that home recording had allowed her to do ever since she built her own studio prior to beginning work on the Hounds Of Love album.

“It’s difficult explaining to myself why some albums take so long,” Bush said, revealing that the actual recording process wasn’t as protracted as it seemed to the outside world. “If you’ve had a five-year gap, people assumed that it took you five years to do an album, which is simply not true. I take a few years to do other things in life… It’s great because I’m able to work at home and have a family life. I couldn’t work in a commercial-studio environment. Most of the time the process is quite elongated for me, so it would end up being quite expensive, too. That’s really why I set up a home studio. I realised I’d have to if I wanted to continue working experimentally.”

“It’s interesting how many people have reacted so powerfully”

Released on 21 November 2011, 50 Words For Snow represented one of Bush’s most daring and experimental albums to date – a collection of long, ruminative and subtle songs with a wintry thread running throughout, which helped it find a place in fans’ hearts as one of the best Christmas albums of all time. The album’s opening track, Snowflake, sets the scene with flurries of meditative piano and sparing, hushed percussion and strings. Written from the perspective of a falling snowflake, it features a vocal from Bush’s then 13-year-old son, Albert McIntosh.

I’ve never been one for pharmaceuticals to help me sleep. And, yet, I find sleep earbuds to be a soothing and natural way to lull myself to bed — especially if I need to pass out earlier than I otherwise would, or when I’m on a plane, where I always struggle to hold a sustained snooze.

Whether you’re like me or you need help to pass out when it’s bedtime, Anker dove right into the sleep earbuds space to tackle this with the Soundcore Sleep A10. I wore them consistently to find out if they truly are an effective digital sedative, and worth the asking price.

Anker includes three pairs of ear tips, from small to large, though beyond just finding the right fit, the tightest seal is arguably just as important. Three sets of wings also come in the box to help with stability and maintain that seal, so you have options in figuring out the best combination.

© Provided by Digital Trends
Ted Kritsonis / Digital Trends

The Sleep A10 are as much about comfort as they are about what they actually do, and with good reason. Great features don’t mean much while sleeping if the earbuds are uncomfortable, especially given how many hours you’d have to wear them. It may seem like a no-brainer to just wear any other pair of regular wireless earbuds to do the same job, but when they get this small, sleeping on your side becomes a lot easier. The lack of cables also makes these far more diminutive and adaptable than something like the Kokoon Nightbuds, for instance, which use a primary module linking the two earbuds by cable.

While the case looks and feels like a Soundcore product, given the similarity to Anker’s other earbuds, the Sleep A10 buds are tiny by comparison. That doesn’t guarantee comfort for all ears — something I believe is almost unavoidable because of the variances in how people like to sleep — but it still improves the odds they’ll eventually be old hat to wear in bed. Anker recommends softer pillows to reduce friction and pressure with your ears, so your preferences there may also be a key factor in whether these feel good or not.

© Provided by Digital Trends
Ted Kritsonis / Digital Trends

Comfortably quiet

For me, the earbuds never felt weird or intrusive while laying on a pillow. Whenever I woke up, my ears didn’t feel sore or otherwise irritated by the Sleep A10, so they passed my own personal test for comfort. It’s hard for me to be certain whether they will for you too, but I do think they have a good chance due in large part to their size.

It’s not a deep learning curve to figure out how to set them up and make them work, either. They pair to your iOS or Android device seamlessly, with the Soundcore app serving as the primary source to configure the earbuds. Things work a little differently here relative to Anker’s other earbuds, meaning there are no settings for active noise cancelation (ANC) because that feature isn’t available to begin with. No ambient mode to hear your surroundings, nor special modes for much else.

Despite that, Anker clearly chose to treat the Sleep A10 as something of a hybrid pair, given that the app presents two distinct modes aptly called Music and Sleep. The fact these earbuds even play music is a big plus compared to the Bose Sleepbuds II, which offer no avenue to listen to any audio outside of their own sleep content.

© Provided by Digital Trends
Anker Soundcore Sleep A10 app main screen.

© Provided by Digital Trends
Anker Soundcore Sleep A10 app settings.

© Provided by Digital Trends
Anker Soundcore Sleep A10 app sleep tracking.

That kind of access probably is why you can tweak how music and spoken word content sound by going through the EQ and the 20+ presets available. Or create your own, much like you would with other Soundcore buds. By default, the Sleep A10 don’t get as loud as other earbuds, and for understandable reasons, as it’s not good for your hearing health to blast audio into your ears during hours of slumber. Anker tries to remedy that with the Smart Volume Control toggle whereby the earbuds will lower volume after they’ve detected you’re actually asleep.

Anker keeps things pretty simple in the app under Sleep mode, though you have to tap Music mode to make changes to what you’re actually going to listen to. For instance, the “built-in music” section takes you to a library of natural and ambient sounds, like wind, river, rain, and crickets, among others. The All section doesn’t show you everything, as the Rest and Focus sections offer different sounds, like a small fire or sounds from a park, for instance. You’ll find more under Music in the bottom menu as well.

Some of these are musical, with harmonies, whereas others are purely relevant sounds. To listen to any of them, tap on the headphone icon to sample a 10-second clip, or the plus icon to download the sound directly to the earbuds. Notably missing at launch were standard white, brown, and pink noise options, though Anker eventually added them — including gray noise — in a subsequent firmware update, so you’ve got more flexibility now if that’s what you want to hear to help you sleep.

© Provided by Digital Trends
Ted Kritsonis / Digital Trends

A lot of this is a matter of preference from the outset anyway, even if you’re encouraged to try out the different choices. Anker is thinking also about times you’re awake, which explains why some sounds are there ostensibly to help you rest or stay focused on a task, presumably before you’re actually trying to sleep. If you’d rather listen to your own tunes to lull you into dreamland, the Sleep A10 and Soundcore app will oblige. It’s not hard — you only need to play content from another source, switch to Sleep mode in the app, and that’s it. That way, you can play ambient sounds or music from, say, Spotify or Apple Music, if that’s the route that works for you.

Mediocre music

These aren’t special earbuds, as far as sonic performance goes. Music will sound fine, and passive noise isolation is quite good. But I wasn’t blown away by the overall soundstage here. More bass-heavy, with slightly elevated highs and flatter mids. You’ll enjoy listening to some music with them, but I couldn’t recommend the Sleep A10 as primary earbuds for music. The music part is the ancillary feature, not the primary one, which is saying a lot for a pair of $180 buds.

Controls are limited, but you can do a couple of things. Double-tapping the left earbud switches between the two modes, whereas doing it on the right bud is for play/pause. You can rearrange the two if you prefer to play/pause on the left side, but that’s it. Anker understandably couldn’t put single tap controls onto these buds given the number of false positives likely to happen just laying down on your side with them. There is no way to skip tracks, adjust volume, or access a voice assistant under the current control scheme.

© Provided by Digital Trends
Ted Kritsonis / Digital Trends

Set an alarm within the app and it will pop off at the set time, regardless of whether there’s audio playing or not. The only caveat is putting the earbuds back in the case before wearing them for the night disables it, so you need to manually go back into the app to actually activate it. For those reasons, I always set the alarm as the last thing to do after choosing the audio before bed.

An alarm in your head

The earbuds aren’t exactly graceful when it comes time to wake you up. Rather than an incremental process to help bring you out of your sleep, the buds progressively beep as a standard bedside alarm clock might. While effective enough, I found it a bit jarring, probably because I personally don’t use alarms like that to wake up every day. You might find it totally natural, which again, is why these earbuds are more subjective in how they may work for every individual.

Anker also plays up the sleep-tracking abilities in the Sleep A10, though you can only get to them if you create a Soundcore account and log in. I get the reasons why because it’s easier to keep the data accessible, especially if you’re switching phones, for instance, but it would’ve been more helpful to users for Anker to explain why this particular feature necessitates that. In any case, the in-ear tracking will look for sleep duration and quality above all else, letting you know how long you slept and how long it took for you to actually fall asleep. You can then see breakdowns for each day, week, month, or year. Under Settings, it’s a good idea to turn on “smart switch” as that enables the earbuds to sense when you’ve fallen asleep, even in cases where you haven’t switched to Sleep mode. When it thinks you’re out like a light, it stops any other audio you were playing, switches to Sleep, and plays the ambient sound you last chose. Leave the smart switch off if you prefer to listen to tunes from other sources, though you may get skewed or incomplete sleep data if you don’t go to Sleep mode first.

© Provided by Digital Trends
Ted Kritsonis / Digital Trends

Buy at Best BuyAll of this affects battery life in a couple of ways. If the Sleep A10 aren’t fully charged to start, you run the risk of them dying while you’re passed out, creating a whole other potential pitfall if that’s the alarm you’re relying on. Anker claims they can last up to 10 hours at 50% volume per charge, but 50% volume here is not the same as it is in standard earbuds. Raise the volume and that number goes down. Even with Music mode, six hours at 50% is the ceiling, which may not cover you for a full night’s sleep. That’s where smart switch can help mitigate battery loss but you’d have to experiment for a few nights to see how far they can go. The case can recharge the earbuds seven times before it needs more juice itself. You’ll have to plug in for that (it takes two hours to fully charge), as there is no wireless charging support.

The novelty of sleep earbuds, and the specialty they’re supposed to provide, puts them in a sub-category unto themselves right now. That’s also why they cost what they cost when options are so limited. At $180, the Soundcore Sleep A10 are as expensive as some of the best wireless earbuds available right now, like the Jabra Elite 7 Pro and Samsung Galaxy Buds 2 Pro. Whether you can sleep soundly with either of those two pairs is hard for me to say, but the point is that getting help to pass out consistently every night through your ears will cost you more right now.

Anker’s pair is a bargain relative to the $250 Bose Sleepbuds II, which neither track your sleep nor let you listen to your own tunes. I recommend looking at the Sleep A10 as serving one purpose, which is to help you sleep and provide some insight into how you slept. That they can play any other audio is a bonus.

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