Country Music! | Amandala Newspaper


I never liked country music. I mean, I thought I never liked country music. Growing up in British Honduras in the 50s and 60s, we had no TV; radio was our only contact with the outside world, for news, sports and music. One radio station for the entire country, and everyone always tuned in until it signed off at 11:00 p.m. The music varied, local or Caribbean, Latin, jazz, pop and classical, and yes, country. At that time I didn’t realize that Jim Reeves, Marty Robbins, Skeeter Davis, Burl Ives, Johnny Cash, Hank Locklin and so many others, were country music singers. I loved the songs and the stories they told and just thought of it as music, without definition! Then the Beatles, Motown, and rock and roll took over. I was in my mid-teens by then, and my taste changed. Or did it?

As a black kid growing up in Belize, it would have been strange and unusual to admit that I was a fan of country music, so I decided I hated it, and that was that! I turned my attention to reggae and pop music, jazz and Latin music, and life was good. Then I heard “Sweet Dreams”, by Patsy Cline, “Paper Roses”, “The end of the world”, and Kris Kristofferson, Waylon Jennings, Merle Haggard, George Jones and all the great singers of the 60s and 70s! I loved their music, but still hated country music! Those weren’t country; they were great songs of love and loss and suffering. And of course Elvis could never have been country! Country music wasn’t sophisticated enough, all that yodeling and nasal twang; no, I hated it.

As I grow older, now a grandfather, I realize that good music is good music, no matter the genre. I have been watching the Ken Burns documentary on country music, and understand that music, especially in America, is an amalgam of the cultures, and oh, I fell in love with Jimmie Rodgers and yodeling! And the Carter family, the pioneers of country music.

The romantic poet Shelley said that “our sweetest songs are those that tell of our saddest thoughts.” He was absolutely right! The pain and suffering and rejection these people went through, and still persevered, is a testament to their greatness, their genius to be able to make people feel better, especially through times as tough as The Great Depression. I realize that during this period people who looked like me were not in a good place, segregated and marginalized, but remember what Shelley said. I always believed that country music was white, in spite of Charlie Pride. Now I know that it came from African, Irish, Scottish, English and European sounds, as in the yodeling.

I remember fondly, in the 80s, meeting Glen Campbell in an elevator at the Hyatt Regency in Minneapolis. I shook his hands and let him know the many times I’d gotten laid because of his music. He couldn’t stop laughing and invited me to his show that night, which I unfortunately missed because of work! But the man with the best mellow music, seduction music, will always be Kris Kristofferson. “Help me make it through the night”, “Sunday morning coming down,” and his countless other songs, designed for copulation.

These days country music has morphed into pop and rap, and rock. I am a traditionalist and don’t really care for it — give me the old time music. I suppose I do like country music, to a point!

“Put your sweet lips, a little closer to the phone. Let’s pretend that we’re together, all alone.” — Jim Reeves.

Glen



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Dubai Festival for Youth Music 2022 launched; young musicians invited to participate with their musical work







© Provided by Khaleej Times
Image used for illustrative purpose.

Dubai Culture and Arts Authority (Dubai Culture) announced the launch of the first edition of the Dubai Festival for Youth Music 2022, which is scheduled for November 24, 2022. The festival will reflect the ideas and musical compositions of the youth. It will be inaugurated in a distinctive musical evening, with performances from the young citizens and residents of the UAE.

The organisation of the festival, which will be held annually in November, is aligned with Dubai Culture’s commitment to supporting a stimulating infrastructure for the cultural and creative industries, enabling a sustainable and thriving ecosystem that supports Dubai’s economic growth and cements its position as a major hub for arts and culture.

Dubai Culture invites young talented musicians, citizens and residents within the country, aged 15 and 35, to participate in the festival with their musical work. Applications open on November 7, and close on November 19 via Dubai Culture’s website, provided that these works are produced by bands or collectives certified in the UAE.

The festival aims to shed light on the creativity of public and private musical arts centres and individual companies located in the UAE, in addition to celebrating individual participation, including public and private school students. It will also provide a valuable platform for introducing young talent and their musical potential, such as singing, composition, instrumentalism, and performance, among others.

Each year, the festival will also celebrate a pioneering and influential musical arts figure.

Dr Saeed Mubarak bin Kharbash, CEO of the Arts and Literature Sector at Dubai Culture, said: “The Dubai Festival for Youth Music is considered a tribute to the artistic and musical sector in Dubai. This is the first edition of the festival and we will work to ensure its continuity and achieve the Authority’s strategic objectives in discovering young talent in these various musical fields.”

As for the details of the festival, Fatma Al Jallaf, Acting Director of the Performing Arts Department at Dubai Culture, said: “Before the closing ceremony of the festival to be held on 24 November, the participants will undergo an evaluation and selection period for less than 1 week, and the winners will be announced and awarded at the ceremony according to the specific categories, which include: Best Singing Award, Best Arabic Playing Award (Oud), Best Classical Playing Award (Violin), Best Piano Playing Award, and Best Integrated Orchestra Award. Based on the Authority’s constant keenness to address underrepresentation, we will also be awarding people of determination in each of the musical categories.”

In order to ensure the quality of the submissions, Dubai Culture has set some conditions, namely:



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How ‘Elvis’ and ‘Weird’ Breathe New Life into the Music Biopic







© Provided by The Mary Sue
Left: Austin Butler as Elvis, Right: Daniel Radcliffe as Weird Al Yankovic

Ahhh the Music Biopic. The seemingly unstoppable Oscar-bait genre that rears its head year after year, no matter how stale and “paint by numbers” the plot is or how every song feels like celebrity karaoke. I thought perhaps when Walk Hard: The Dewey Cox Story released in 2007 that the genre might finally be broken for good. It skewered not just Walk The Line (the Johnny Cash biopic that swept the Oscars two years prior) but the genre as a whole. The parody was so sharp, so devastating, and so funny (not to mention music – which was always pitch perfect) that it seemed there was no way for the biopic to recover. 

And yet the biopic, as we saw with Bohemian Rhapsody’s huge success, persisted. The plot was shockingly bland (especially egregious for a story about Freddie Mercury!) and the sound mixing was terrible, but it was heaped with awards and a big fat box office. Unfortunate (to me) because it meant the much more interesting and exciting Elton John pic Rocketman was ignored the following year. For better or worse audiences want to see their favorite rock and roll stars and pop idols on the big screen, to feel the comfort of their favorite songs, to consume an easily digestible, dramatic version of their stars’ lives. And so what are we to do with this frustratingly unkillable genre? 

Enter Baz Luhrmann and Weird Al Yankovic. Unlikely bedfellows, but the heroes who have come to destroy and rebirth the music biopic genre with Elvis and Weird: The Al Yankovic Story

Elvis






© Provided by The Mary Sue
Austin Butler as Elvis. Image: Warner Bros.

Luhrmann’s Elvis is an opulent spectacle, a fantastical, larger-than-life look at an opulent, larger-than-life persona: Elvis Presley. The film isn’t interested in facts, though it does use them, but in using the trappings of myth-making and stardom to examine mythology as a storytelling device. Austin Butler is absolutely magnetizing as Elvis, and Tom Hanks has finally managed to achieve a thing I never thought possible: a truly monstrous and unlikeable performance as the devilish Colonel Tom. Elvis is less concerned with the “real” Presley, than it is with examining the Faustian tale of a man who sells his soul to the devil to achieve fame and stardom.

Celebrity is fantasy, is storytelling, is selling a product (the actor or musician as “god”). And using the biopic, one of the many devices used to sell the idea of “celebrity,” in order to examine that function, to use the spectacle against itself, Luhrmann exploded the genre. By refusing to create a false pastiche of Elvis’s “real life,” by subverting the notion of an “authentic” experience, Luhrmann is able to present a captivating and insightful look at the very idea of celebrity. Elvis the rockstar was spectacle. The spectacle is the point.

Weird: The Al Yankovic Story






© Provided by The Mary Sue
Daniel Radcliffe as Weird Al (image: Funny or Die/Roku)

And then there is Weird. The genius of Weird Al Yankovic is that he takes popular songs, keeps the music, but changes the lyrics to the silliest, simplest topic he can think of. He isn’t interested in satirizing the original musician, or skewering the thematic content of the song, but instead uses the music to expound upon such varying topics as: bologna sandwiches, rocky road ice cream, and Star Wars. The humor comes from the clash between the hugeness of the song and the mundanity of the lyrics. This clash of celebrity and normalcy encapsulates his entire career (the nice, dorky guy as a pop idol) which is why Weird, co-written and directed by Eric Appel, is so perfect.

It takes the exact structure of a standard music biopic (except for the explosive third act) from the blue collar father who doesn’t understand his son’s love of music, to the self-destructive descent into addiction and alienation of his bandmates and friends. And then they insert Weird Al (played by a brilliant Daniel Radcliffe) and his music. The nice guy and ultimate “square.” In doing so it creates a metacommentary on the nature of Weird Al’s long-lasting success, stardom, and the genre of the biopic. It applies the structure of Yankovic’s parodies to film and it creates something surprisingly fresh and exciting. 

It’s 2022 and perhaps it is finally time to accept that certain genres have more longevity than we might hope for, but if the world isn’t completely destroyed by climate catastrophes in the next few years, hopefully we can see more films (like Elvis and Weird) that subvert the old structures and use them to reveal something exciting and new.

(Images: Warner Bros/Funny or Die/Roku)



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Selena Gomez’s new music is about secret romances and ‘experiences I’ve had that people don’t know’


‘I’ve created this private life that’s just mine’: Selena Gomez teases her new music is about secret romances and ‘experiences I’ve had that people don’t know’

Grammy nominee Selena Gomez revealed she’s written 12 new songs that she loves, which are about secret romances and other private experiences.

‘To be honest, I’m now telling stories that people don’t know,’ the 30-year-old ‘Texican’ pop star told Zane Lowe onstage LA’s Apple Tower Theatre last Friday.

‘People I’ve dated that people don’t know. Experiences I’ve had that people don’t know. I’ve created this private life that’s just mine.’

‘I’m now telling stories that people don’t know’: Grammy nominee Selena Gomez revealed she’s written 12 new songs that she loves, which are about secret romances and other private experiences

Selena – who ended her 10-month romance with The Weeknd in October 2017 – has been rumored to be dating producer Andrea Iervolino as far back as 2019.

But Gomez is believed to have originally met the Italian 34-year-old way back in 2015 when he produced James Franco’s dismally-reviewed box office bomb In Dubious Battle, in which she played Lisa London.

‘This has been very weird and tricky because I’m no longer in sad girl world, if that makes sense. And it is kind of all I’ve known,’ the Calm Down singer explained.

‘And that sounds kind of bad, and obviously not all of my music is that. Obviously, I want it to be fun, but I’ve been having a hard time, honestly. I’ve definitely written and have at least 12 songs that I do love, but I don’t know if I just don’t feel confident with it yet for some reason.

The 30-year-old ‘Texican’ pop star told Zane Lowe onstage LA’s Apple Tower Theatre last Friday: ‘People I’ve dated that people don’t know. Experiences I’ve had that people don’t know. I’ve created this private life that’s just mine’

On the down low: Selena – who ended her 10-month romance with The Weeknd in October 2017 – has been rumored to be dating producer Andrea Iervolino as far back as 2019

On-set snap: But Gomez is believed to have originally met the Italian 34-year-old (L) way back in 2015 when he produced James Franco’s dismally-reviewed box office bomb In Dubious Battle, in which she played Lisa London

‘And I want to continue to keep getting better so that I don’t, obviously, don’t want to go back. I want to be able to be forward thinking and give myself a whole new lane, and just try it. So I’ve been experimenting a lot, but it is getting closer. It’s just a bit frustrating…I want to dance, Zane, so bad because I need to.’

Selena’s newest song shares the name of Alek Keshishian’s critically-acclaimed documentary Selena Gomez: My Mind & Me, which premiered last Friday on Apple TV+.

‘There’s just so much bottled up, and I think that I do a good job, hopefully, of being cautious and being aware of other people’s feelings. And I’m very vague, and I can be very politically correct,’ Gomez said of the track.

‘And in my music, I get to really say what I feel. And I think that’s why this song means so much to me, and in a different way than any of my other songs only because I’ve attached this to my mental health and I’m addressing what it is. I mean, it’s completely cathartic for me and I think it goes so well with the documentary.’

The Calm Down singer explained: ‘I’m no longer in sad girl world, if that makes sense. And it is kind of all I’ve known. And that sounds kind of bad, and obviously not all of my music is that. Obviously, I want it to be fun, but I’ve been having a hard time, honestly. I’ve definitely written and have at least 12 songs that I do love, but I don’t know if I just don’t feel confident with it yet for some reason’

Selena continued: ‘I want to be able to be forward thinking and give myself a whole new lane, and just try it. So I’ve been experimenting a lot, but it is getting closer. It’s just a bit frustrating…I want to dance, Zane, so bad because I need to’

‘I think it goes so well with the documentary’: Gomez’s newest song shares the name of Alek Keshishian’s (R) critically-acclaimed documentary Selena Gomez: My Mind & Me, which premiered last Friday on Apple TV+



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IV vitamin therapy offers wellness ‘cocktails’ despite risks





Bryon Wilson has an IV in his arm, but he’s not in a doctor’s office.

There’s no hospital bed, no fluorescent lighting, no anatomically correct digestion tract model or posters about preventing skin cancer.

He’s in a dimly lit room, reclining in a zero-gravity heated lounge chair that’s giving him a full-body massage, ambient music whirling from the speakers, drifting to sleep as the needle injects B-vitamins and amino acids into his bloodstream.

Wilson, who lives in Cary, is receiving IV therapy, also called IV hydration or vitamin drips, a method of delivering vitamins, minerals and water through a person’s veins instead of orally. When delivered intravenously, the micronutrients are absorbed at much higher percentages than they would be in the stomach.

Wilson, an avid cycler, is on a routine of three IV drips and four muscle injections per month. “I believe in this,” Wilson said. “From the bottom of my heart I believe that this can help a lot of people.”

Like many wellness trends, IV hydration has received two types of attention: from those who swear by it and those who swear it off.

These medical spas, boutiques and “drip bars” sometimes offer multiple wellness treatments in the same location, like cryotherapy or Botox, and feature a “menu” of vitamin and mineral combinations like “The Myers’ Cocktail,” a blend of B vitamins, vitamin C and minerals, mixed with sterile water.

Clients can book a same-day appointment online for drips like “The Champion,” designed for athletes, “Slimboost” to curb appetite, or “The Glow” for anti-aging. Drip bar websites claim their IVs can treat a variety of ills, from hangovers, jet lag and sun exposure to more serious conditions.

Kim Clark, a resident of Durham, was diagnosed with Lyme disease in 2011. After four years of treatment, she relapsed, struggling with speech and stability, suffering severe migraines, experiencing joint pain and having trouble sleeping. Her condition also depleted her body of vitamin D, magnesium, and B vitamins. To treat the new symptoms Clark was put on a medical IV drip for five months.

“When I got off of that, I almost died,” Clark said.

Besides the symptoms from Lyme, she had contracted C. diff, a bacterium that infects the colon and causes severe intestinal conditions. Clark stayed in the hospital for a week.
Even after recovery, she had trouble regaining energy and strength. Her practitioner treated her with nutritional IVs in-office, but she stopped when the practitioner retired. When Prime IV Hydration and Wellness opened in Apex, she booked an appointment. Clark now goes there for vitamin drip every month.

“I’ll be 60 in November and I feel great,” Clark said. “Considering everything I’ve been through, I feel really good.”

Regulation for IV hydration centers varies by state, but in most cases are not held to the same scrutiny as medical providers. In the United States, the components of an IV hydration solution are considered prescription drugs and must be developed by a licensed pharmacist or physician to receive U.S. Food and Drug Administration approval.
While some hydration clinics list a licensed pharmacist or physician on their staff, some are owned and operated by medical professionals who do not have a license to mix drugs, such as a registered nurse. Customers are usually not required to talk to their medical provider before receiving treatment or complete any preliminary health testing besides a vital screening and questionnaire.

According to a report published by the FDA in October 2021, the FDA has become increasingly aware of insanitary conditions where drugs are being mixed, particularly in IV hydration clinics, medical spas and mobile IV services.

In February 2021, a 50-year-old woman was hospitalized and treated for “suspected septic shock with multi-organ failure after receiving an IV-vitamin infusion in her home,” a result of a bacterial infection from the injection. Because IV clinics generally don’t register with the FDA, it is difficult to determine the extent of sanitation issues.

For IV hydration staff, the business can be an enticing alternative to stressful medical environments. Nicole Scott, clinical director of Hydrate Medical in Raleigh and Cary, had been working as an ER nurse in the middle of the pandemic.

The long hours late at night left her burned out and overwhelmed, so she began looking for a new job. At Hydrate Medical, she found an atmosphere completely different from the pressure of the ER.

Scott especially loves the work-life balance this job gives her. “It’s really awesome knowing that I can spend the morning with my daughter and get her after school, go to the gym and do all that stuff, and then be home in time for dinner, ” she said.

Their facility is owned by a board-certified emergency physician and an acute care nurse practitioner, and the rest of their medical team is comprised of registered nurses and paramedics. Scott said patients have been referred to them by neurologists or other physicians, sometimes with handwritten suggestions based on blood tests.

“Our providers are very committed to keeping this a health-centered facility, versus a lot of the other vitamin infusion clinics in the area that also do the cryotherapy or the Botox or the facials and stuff like that,” Scott said.

Some members of the medical community are still skeptical of the benefits of IV therapy. Sahil Dayal, a first year resident at West Virginia University, and Kathryn Kolasa, professor emeritus in nutrition at East Carolina University, published an article in 2021 titled, “Consumer Intravenous Vitamin Therapy: Wellness Boost or Toxicity Threat?”

In their study, they analyzed current literature about IV therapy and predicted potential risks. Most research they found concerning vitamin drips was anecdotal, meaning it is based on patient experience instead of trial-based studies.

“Everything anecdotal in my field, we do not rely on that,” Dayal said. “If I had a patient come in with a headache and she cracks an egg over her head every time to help the headache and she says it feels better, I’m not going to stop her. As long as it’s not causing harm. With this, I would stop it.”

Dayal worries about the risks of vitamin therapy, especially considering its lax oversight. Frequent use of IV therapy could cause nutrient imbalances, negative interactions with medications and increased risk of infection at the injection site. Even excessive water in the body can cause problems that consumers might not be aware of.

“You can get pulmonary edema, you can cause stress in your kidneys, you can cause confusion as your electrolytes get out of balance,” Dayal said.

Dayal suspects that the reason recipients might not report any adverse effects from their hydration experience is because they are often young, healthy patrons who care about wellness and are more likely to bounce back from imbalances in their system.

But to converts, the difference IV therapy has made in their lives is worth the risk. And, apparently, the price tag, as vitamin drips can cost upward of $100 each session.



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Rick Ross Turns Up Atlanta With All Black Orchestra – Rolling Stone


When Red Bull approached Jason Ikeem Rodgers, the founder and musical director of Orchestra Noir in Atlanta, about collaborating with Rick Ross for their global Symphonic series, the moment seemed like destiny. The project pairs contemporary musicians with classically trained orchestras, and Rodgers says he “grew up on Rick Ross.” When he was younger, he remembers spending two years driving around his native Philadelphia with a broken CD player that looped three songs. One was Ross’s 2013 Jay-Z collaboration “Devil is a Lie.” 

“Rick Ross’s music helped me navigate my life and inspired me to be a boss,” he says.

On Friday night, he stood over his players on stage at the Atlanta Symphony Hall, and Rick Ross stood before him. For a split second, the room fell silent, and the lights went crimson before Ross leaned into the mic mischievously and called the devil a liar. Horns blared royally, the drums trudged with force, and after Ross delivered his last syllable, he turned to Rodgers, and they shared a proud nod. 

Rick Ross performs with Orchestra Noir during Red Bull Symphonic rehearsals at the Atlanta Symphony Hall in Atlanta, Georgia on November 4th, 2022.

Ian Witlen/Red Bull Content Pool

Established in Atlanta by Rodgers six years ago after a globe-trotting, high-achieving career as conductor, composer, and arranger. He first became fascinated with classical piano in the 6th grade via Virginia T. Lam, a talented and attentive music teacher who grew into a mentor, then a mom, and now the production manager and board member of the orchestra. As a teenager, Rodgers would dart from freestyling with his buddies on Philly street corners to his piano lessons, feeling like a part of two different worlds. Now, his orchestra blends traditional symphony and Black pop music: Red Bull caught wind of them through their “Beethoven Meets 90s Vibe” show. “I feel like, for the first time in my life, I’m me,” he says. Tasked with translating an hour of Rozay’s discography into music for his orchestra, Rodgers says the song’s arrangement poured out of him.

“This is the black caviar of hip-hop,” Ross said over Zoom after rehearsing the Thursday before the performance. “This is a great example of Black excellence.” He echoed the sentiment on stage the next night, where dozens of Black artists showcased the synergy between genres that could seem disparate but had coalesced in all their lives. First, of course, there was Ross, whose lush production made perfect fodder for the drama of an orchestra: “It sounds futuristic and classical at the same time,” Questlove once told him of his “Maybach Music” song series. But before Ross, there was Mapy, a classically trained solo violinist, a New Yorker by way of Paris, who’s played unmistakable hip-hop, reggae, dancehall, and Afrobeats hits. Sainted, an incredible choir performing trap music standards like gospel, followed.

Though Ross had never played with Orchestra Noir before the Symphonic, he was familiar with their work and had reverence for them. “I’m happy,” Ross beamed after Thursday’s rehearsal. Cameron Moore, a Savannah State University freshman, is one of several HBCU student musicians that joined the orchestra on Friday. Moore, who plays the trumpet, said the rapper energized the rehearsal. “We just got to playing the music, and then Rick Ross just pulled up out of nowhere, had a drink on stage,” she recalled. “Something just changed when he walked in the room.” Let Ross tell it, though, and he’ll tell you he was mesmerized watching the musicians work, flipping their pages and playing with focus. “I may have just had one or two things to tweak. And it wasn’t even with the orchestra. It was more about just small technical things.”

Rick Ross performs with Orchestra Noir during Red Bull Symphonic rehearsals at the Atlanta Symphony Hall in Atlanta, Georgia on November 4th, 2022.

Ian Witlen/Red Bull Content Pool

Sam Sneak — the DJ and A&R who works closely with Rick Ross — was Rodgers’ point person to gel his musical direction with their camp. “To be honest, I just laid back,” Ross admitted when asked what his role was in the process. “Whenever Sam’s involved, it always comes together.” Sneak has been collaborating with Ross for over a decade and had his own instrumental experience to call back on, too, from playing percussion in a marching band to a live band at a strip club. Nevertheless, sneak was enthusiastic about the Symphonic, partly because of its conceptual alignment with Ross’s sound. “He spits that luxurious… Ross could rap about a burger and make it feel like you eating steak, the finest steak, the elegance of the wordplay,” said Sneak.

While Sneak’s input was essential to Rodgers, Sam said it was vital for him to communicate to the Maestro that he trusted his vision: “Do everything you see fit, and from there, that’s how we going to rock out,” he remembered telling Rodgers. “Ain’t no cap on your creativity.” Sam got a first look at what the show would be at chamber rehearsal with half the orchestra in October, and he was more than impressed, especially with their rendition of “Hustlin, Ross’s breakthrough hit, the grit that came before the glamour. 

“It’s just this thing where he has the trumpet sounding you’re listening to like a Dolby sound effect. It’s going from left to right,” Sneak said before the show, still mystified. “I was blown away when I heard it in rehearsal. I was like, ‘Oh yeah, we going to have a fucking ball.’” On Friday night, the rowdier anthems populated the latter part of the setlist, with — “B.M.F.,” “Bugatti,” and “Hold Me Back” were particularly explosive. When “Hustlin’” rolled through amongst them, its grand horns seemed to balloon across the room at the start. 

Rick Ross performs with Orchestra Noir during Red Bull Symphonic rehearsals at the Atlanta Symphony Hall in Atlanta, Georgia on November 4th, 2022.

Ian Witlen/Red Bull Content Pool

Per his memoir Hurricanes, Rick Ross made “Hustlin’” as a newly signed but cash-poor rapper, having put his entire $30,000 advance towards the down payment for his first house whose mortgage he couldn’t afford. Ross found the breadth of the setlist inspiring, a robust curation of his career, from “Hustlin’” to “God Did.” “It made me just reflect,” said Ross. “And I appreciate everything I’ve done.” He can now add a Symphonic to his list of successes, having his music performed in a context Black people rarely have access to professionally. “For a long time, the statistic was with American orchestras, only 1.8% of American orchestras were African-American,” said Rodgers. “It’s been that way for years. I think it’s changed slightly, but probably not by much.”

Mapy — the French violinist who started the party on Friday — has been able to build an extraordinary solo career playing hip-hop, reggae, and soca on her violin. Still, the Symphonic was her first time doing so with an orchestra. She was set on this path around the age of 10 when she realized when she could play “Juicy” by Notorious B.I.G. by ear. 

Rick Ross performs with Orchestra Noir during Red Bull Symphonic rehearsals at the Atlanta Symphony Hall in Atlanta, Georgia on November 4th, 2022.

Ian Witlen/Red Bull Content Pool

At six years old, she had begun studying the violin at her mother’s behest, a poor immigrant from Reunion Island, east of Madagascar, who could not read, write or play music herself but knew it would open doors. “I used to play in a symphony orchestra back in the day, when I was still in France, in Paris, but we were playing classical music, and that’s not really what I listened to,” Mapy explained Thursday night as she settled in her Atlanta hotel. “So, this show is a dream come true.” From Cameron Moore, the young trumpeter, to Rick Ross himself, many artists that performed that night felt a sense of alignment with the Symphonic, pulling together the different musical approaches they’ve been weaving together their whole lives.





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Mookie Betts Will Present at Upcoming Country Music Awards







© Provided by Inside The Dodgers on FanNation


Country superstars and a Dodgers superstar galore in Nashville.

Mookie Betts is known for his talent and accolades on the baseball field. But this coming week, the Dodgers’ star outfielder will be rubbing elbows with the superstars of country music at the 56th annual Country Music Awards.

The event will be hosted in Nashville, Tennessee, making Nashville’s own Markus Lynn Betts a solid choice to present an award.

Mookie will join Reba McEntire, Lainey Wilson, Little Big Town among many more on the full list of presenters.

This year’s CMAs will be hosted by Luke Bryan and Peyton Manning and will feature performances by country’s biggest stars including Luke Combs, Jon Pardi, Chris Stapleton, Cole Swindell, Morgan Wallen and many more.

The show will be on Wednesday, November 9th



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Uzeyir Hajibeyli: The “father” of Azerbaijani classical music


It is impossible to imagine Azerbaijani culture without the name of one the greatest composers of the 20th century, and the founder of Azerbaijani classical music, Uzeyir Hajibeyli.

His immortal works have forever glorified his native city of Shusha, since he was the first composer who merged mugham, a unique style of Azerbaijani music, with elements of classical opera, and transferred folk singing to an orchestral score. He is also the author of the first opera of the East “Leyli and Majnun”.

The influence of Uzeyir Hajibeyli on the further development of musical art in Azerbaijan is difficult to overestimate. His innovative and, at times, revolutionary decisions for that time changed the perception of operatic performance.

Uzeyir Hajibeyli’s favorite composer was Mozart. He adored him and even composed a fantasy inspired by Mozart’s C major sonata. He wrote a fantasy for the orchestra of Azerbaijani ethnic instruments. ” Explains Farhad Badalbeyli, the Rector of the Baku Academy of Music.

Satirical and romantic, glorifying love for the Motherland and freedom, Hajibeyli’s works have become rare jewels in the collection of world classical music.

There is a piece of music called “Without you” or “Sensiz” in Azerbaijani, and it was inspired by the poems of the Persian poet Nizami and dedicated to his 800th anniversary.

When you listen to the piece you clearly hear the strong influence of mugham.” Explains Joshgun Gadashov, a piano student at the Baku Academy of Music.

In many ways, it’s thanks to these works that the world first learned about the existence of the mugham, which is today on the Intangible Cultural Heritage List of UNESCO.



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Episode one of a new podcast: Pop Culture With Chanté Joseph – Rihanna is back … what makes her such an icon? | Life and style


We’re delighted to bring you the first episode of our new series, Pop Culture With Chanté Joseph.

Rihanna fans have been waiting for this moment for six years. The singer has released Lift Me Up, a single from the soundtrack to Black Panther: Wakanda Forever. It’s her first release since she launched her Fenty Beauty empire, became a billionaire and a mother. As she storms back into our lives, we ask: what makes Rihanna such an icon?

How to listen to podcasts: everything you need to know

This is the first episode of Pop Culture With Chanté Joseph, a 10-part series from Guardian Podcasts. Listen to a new episode every Thursday here.

Contributors
Afua Hirsch – Writer and broadcaster
Shaad D’Souza – Acting deputy music editor, the Guardian
Jay Rivera – Rihanna fan

Music
Rihanna – Pon De Replay (2005, Def Jam Recordings)
Rihanna – Umbrella (2007, Def Jam Recordings)
Rihanna ft Calvin Harris – We Found Love (2011, Def Jam Recordings)
Rihanna – James Joint (2016, Roc Nation)
Rihanna ft Drake – Work (2016, Roc Nation)
Era Istrefi – Bonbon (2016, Ultra Records)
Rihanna – Kiss It Better (2016, Roc Nation)



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10 Best Gaming Platform Startups, Ranked


Many gamers will cherish that Holiday morn when they opened their presents and discovered the hot new console underneath all that wrapping paper. Of course, the first instinct was to then hook the thing up, press the power button and watch as the console booted up with a start-up animation. In modern times, however, consoles load much faster, making these elaborate sequences largely a thing of the past.


RELATED: 5 E3 Reveals That Launched A Console (& 5 That Broke Them)

It’s a shame because these visual splendors deliver the first impression of a machine consumers paid good money for. Additionally, if the console’s old, they serve as a nostalgic window into a time in gaming history that’s long past.

10/10 Xbox 360 Heralded HD Gaming For Many Consumers

The Xbox 360 beat the PlayStation 3 in the race to the 2005 holiday season, serving as the herald of the HD generation to many consumers. The tagline for the console was “jump in,” and that’s exactly what the opening sequence invites players to do. The camera zooms out and exposes a large sphere coming out of the darkness.

The sphere is then given an X-shaped hole before a green ring reveals the Xbox 360 logo. When the console interface was updated a few years later, the logo was changed to incorporate a bunch of green swirls enveloping the sphere.

9/10 Gameboy Advance Showcased A Huge Leap Over Its Predecessor

Before mobile gaming changed everything, Nintendo had a bit of a stranglehold on the handheld market for years. While the Sega Game Gear boasted color, it just didn’t have the software to back it up. However, the Gameboy’s technical limitations were showing in the years that it was on the market.

The flashy sequence of the GameBoy Advance logo showcases how much of a leap forward it was in the visual and sound department over its predecessor, the Gameboy Color. Several letters sway on the screen to make up the Game Boy logo, accompanied by some nifty sound effects.

8/10 The Sega Saturn Provided A Nice Welcome To 32-Bit Gaming

Often regarded as the console that would eventually doom Sega in the hardware business, the Saturn at least boasted a snazzy start-up sequence. A bunch of small gray polygons come out of the blackness like a swarm of insects to join together before a flashing ray of light reveals the Sega Saturn logo. Simple but effective. It’s as if the console is saying, “Welcome, gamers, to the 32-bit generation.”

While the Japanese boot-up music went for a loud and triumphant track, the American and European music was considerably calmer and more ambient.

7/10 PlayStation 3 Gets Players Ready For A Gaming Symphony

The PlayStation 3 had a very rough start at the beginning of the sixth generation of consoles, with its overpriced tag and underwhelming launch titles turning away consumers. A shame because the console actually delivers a great first impression. Players who turn the console on are greeted with the sound of an orchestra tuning as if preparing for a triumphant symphony of quality titles.

At the climax, the PlayStation 3 logo pops up, and players are tasked with creating or selecting a profile. It prepares players more for cinematic titles such as Uncharted and God of War 3.

While the American Nintendo Entertainment System utilized cartridges, the original Japanese Famicom was a disc-based system that accepted cards. Once players turned the system on, they’d be prompted with a descending sign to insert the disc card into the system. The screen accompanying this request is a shot of outer space while Mario and Luigi run across the area.

Bolstering this sequence is a majestic musical track that puts players in the mood for fun and adventure. This track even made a cameo with a slowed version being played on the browser menu of the Nintendo Gamecube.

5/10 The Sega Dreamcast Swirl Was Downright Ethereal

While it served as Sega’s final foray into the hardware business, fans could at least say that the brand went out swinging. As the console starts up, players are greeted with a small dot bouncing on the screen with ethereal raindrop-like sounds, revealing the letters that make up the Dreamcast logo and forming a swirl.

RELATED: 10 Mistakes That Still Haunt Sega

The color was different depending on the region: orange in Japan, red in America, and blue in Europe. It’s said that the reason for Europe’s change was because the orange swirl looked too similar to the logo for a German company called Tivola.

4/10 Gamecube’s Benign Logo Had Many Secrets

A small cube drops on the screen to form a giant G representing the Gamecube logo to a suitably whimsical track. It’s effective on its own, but the best aspects of this start-up sequence are the secret tracks players can unlock by holding certain buttons on the controllers.

By holding Z on one controller, players are greeted with a squeaky version of the start-up tune that’s finished with the sound of a child laughing. If the button is held on four controllers, the version is done with tycho drums that climax with a kabuki shout.

3/10 Sega/Mega CD Was Paid Homage In A Later Collection

The boot screen for the Sega CD add-on varied from region to region, with the Japanese and European versions retaining the same music track, while NTSC versions went for a completely different approach. The Japanese version shows a bright blue sky as the logo moves around in an elaborate fashion accompanied by upbeat music.

RELATED: 5 Best Sega CD Games (& 5 Worst)

Conversely, the American boot-up showcases the Sega CD logo looming over the Earth with a strangely sinister track. Fun fact: the track that played during the Japanese and PAL start-up sequences was remixed in M2’s Sega Ages Collection for the Nintendo Switch.

2/10 PlayStation 2’s Towers Aren’t Just For Decoration

Sony’s second foray into the console market showcased a bunch of rising towers coming out of the darkness before flashing the PlayStation 2 logo. Players can recall putting in their game and waiting with bated breath to see if the console would read the disc or if they’d be sent to the browser menu.

One neat little touch is that the rising towers actually aren’t just decoration. The console reads players’ memory cards to keep track of how many games they play and how long they play them. Basically, more games mean more towers, and longer sessions mean longer towers.

1/10 The Original PlayStation’s Start-up Is The Most Iconic

Arguably the most iconic console start-up of all time, the original PlayStation’s introduction left its mark in gaming history. Gamers are met with an ambient music track as the black screen illuminates, and the Sony Computer Entertainment logo greets them. If the disc is read successfully, they’re immediately shown the PlayStation logo against a black background.

So quintessential is this boot-up screen that it’s made cameos in other mediums, such as a sly little Easter egg in the Ratchet & Clank film. It even popped up in a short little sequence in Uncharted 4.

NEXT: 10 PlayStation Games That Are Better When You’re An Adult



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